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9 Facts, About Mother's Day.<br/>1. The date changes due to it <br/>being held annually on <br/>May's second Sunday.<br/>May 12th is the scheduled date <br/>for the holiday in 2024.<br/>2. Ancient Greece was one of the <br/>earliest civilizations to honor mothers.<br/>3. According to Reuters, Mother's Day <br/>sees the highest volume of phone calls <br/>than any other day of the year.<br/>4. In 2018, gift totals amounted <br/>to $23 billion according to the <br/>National Retail Federation.<br/>5. Greeting cards are the <br/>most common gift with <br/>152 million being <br/>delivered every year.<br/>6. The idea was started in 1868 by activist <br/>Ann Jarvis, who wanted to bring people together after the Civil War.<br/>7. 1908 was the first year <br/>Mother's Day was <br/>observed in the U.S.<br/>8. It became an official federal holiday <br/>less than a decade later in 1914.<br/>9. Mother's Day is celebrated worldwide <br/>at different times during the year
⏲ 1:9 👁 58.2M
Prayer Land
⏲ 6 hours 23 minutes 49 seconds 👁 96.4K
RevAlexMeadows
⏲ 25 seconds 👁 506K
The CUPRA Leon is developed to revamp the high-performance compact segment, building on the generations of vehicles that came before it.<br/>“The king of Leons draws together the core elements that every vehicle of the brand must have: design, performance and dynamism,” said Wayne Griffiths, President of CUPRA and SEAT. “It is a vehicle that is helping us to win over even the most demanding car enthusiast, grow the brand, and take its vehicles to an even broader audience.”<br/>Underpinned by the MQB Evo platform and a suite of technologies, the design and development team created a vehicle that specifically delivers CUPRA’s core characteristics. At its heart is a range of extraordinary powertrain options that mix the most advanced combustion technology and the pinnacle of the industry’s push towards electrification.<br/>Available in two body styles available – 5-door and Sportstourer – the CUPRA Leon expands its appeal, allowing customers to choose the vehicle that best fits their lifestyle, without needing to compromise on performance, comfort or practicality.
⏲ 3:0 👁 305K
kirillne2012
⏲ 47 minutes 39 seconds 👁 863.9K
New York Post
⏲ 1 minute 11 seconds 👁 150K
‘Badhaai Ho’ starring Ayushmann Khurrana, Sanya Malhotra, Gajraj Rao and Neena Gupta.<br/>Directed by: Amit Ravindernath Sharma<br/>Produced by: Vineet Jain, Aleya Sen, Hemant Bhandari, Amit Ravindernath Sharma<br/>Co-Producer: Priti Shahani<br/>Story: Shantanu Srivastava & Akshat Ghildial<br/>Story: (Junglee Pictures) Jyoti Kapoor<br/>Screenplay: Akshat Ghildial<br/>Director of Photography: Sanu John Verughese<br/>Production Designer: Ratheesh UK<br/>Lyrics: Vayu, MellowD, Kumaar<br/>Music: Tanishk Bagchi, Rochak Kohli, Kaushik-Akash-Guddu (Jam8), Sunny Bawra-Inder Bawra<br/>Badhaai Ho movie: Badhaai Ho doesn’t quite know what it wants us to do more, laugh or cry. And parts of the film sink into sitcom flatness, especially when Sikri overdoes her grumpy 'saas' act, though some of her lines are laugh-out-loud.<br/>Ayushmann Khurrana is now well-versed with the art of being humiliated. If it's set in Delhi like Vicky Donor, then he's even more at ease. But in Badhaai Ho in which he plays the eldest son, Nakul, who avoids public eye after he learns that his mother is expecting, Khurrana doesn't deliver the best embarrassed performance. That honour goes to Gajraj Rao as the caring husband to Priyamvada aka Bubbly (Neena Gupta) who has to break the news.<br/><br/>Rao, best known for being a regular on The Viral Fever sketches, never misses a beat as Jeetu Kaushik, the patriarch who finds himself negotiating the wrath of not only his mother (Surekha Sikri in badass mode) and his two sons but also the glares and gossip of relatives and neighbours.<br/><br/>Badhaai Ho works best when writer Akshat Ghildial sticks to capturing the myriad reactions - shock, amusement, anger and scorn - to an unplanned pregnancy in a couple least likely to. It's in the first half while capturing the minutiae of middle class life in the Kaushik household that the family comedy registers its finest moments.<br/><br/>
⏲ 1:58:26 👁 650K
Todd White
⏲ 7 minutes 28 seconds 👁 2.8M
Silas Silas
⏲ 4 minutes 55 seconds 👁 97
Asif, a Muslim married to a Hindu, who, for reasons too convoluted to explain, becomes possessed by the spirit of a transwoman Laxmii. When he is under her spell, Asif ferociously clicks his teeth and even lets out a sort of war cry. We get so many close-ups that I started admiring how clean Akshay's teeth are. As I watched, I also wondered, how many communities will Akshay save? In Airlift, he saved Indian migrants in the Middle East; In Toilet: Ek Prem Katha, he saved women from the humiliation of defecating outdoors; in Padman, he once again came to the rescue, playing a man who creates low-cost sanitary napkins; in Kesari, as Havaldar Ishar Singh, he rescues a fort and Sikh honor; and now as Laxmii, he bats for transgenders and also throws in a few strokes for Muslims and a child with special needs. It's a heavy load. Which might be why his performance feels delivered in auto-pilot mode.<br/><br/>Laxmii is the remake of a Tamil film called Kanchana, written and directed by Raghava Lawrence, who also played the lead in that film. In Kanchana, his character, also called Raghava, isn't heroic. He's a cowardly man, so afraid of ghosts that he sleeps next to his mother and even insists that she accompany him to the bathroom. Some of the pleasure in that film was watching this wimp transform into the avenging angel Kanchana. Raghava has directed Laxmii but perhaps him and co-writers Farhad Samji, Sparsh Khetarpal and Tasha Bhambra who did the adaptation and dialogue, didn't want to risk downsizing their star. So Asif is some sort of ghostbuster. From his first scene itself, he is in savior mode, rescuing people from fraud babas. Kanchana was made in 2011. It's loud, simplistic and problematic in terms of representation. But Raghava created moments of cheesy fun and it was satisfying to see Kanchana ultimately get her revenge. The high pitch and stereotyping has not aged well and so much has been lost in translation. The tweaks to the original have only made this version worse – the interfaith marriage angle is laughably lame. Kiara Advani plays Asif's wife Rashmi. She does little except calisthenic dancing at the Burj Khalifa and widening her eyes as her husband behaves erratically. Rashmi's family disowned her when she ran away with Asif. They are offended that he is Muslim but not one person seems to notice the difference in age. Also Read: Laxmii, Starring Akshay Kumar, Is A Tone-Deaf Horror Comedy The writing is awful. The message of inclusion is noble but also obviously fraudulent because the film itself contradicts it. There is so much shrieking that it might induce a headache and perhaps the worst sin – the ghost, before it enters Asif's body, is basically a wig with a fan behind it.
⏲ 2:21:1 👁 95K
CBN News
⏲ 3 minutes 45 seconds 👁 144K
Prayer Land
⏲ 6 hours 57 minutes 14 seconds 👁 30K
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