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Weekly Video: Teenage boy arrested on suspicion of arson after huge derelict factory blaze
⏲ 0:36 👁 58.8M
Jackie Chan Movie Marathon from @TokuSHOUTsu❗️
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The Dead Don't Hurt | \"Together\" | Viggo Mortensen & Vicky Krieps | IN THEATERS FRIDAY
⏲ 30 seconds 👁 807
Glasgow School of Art Degree Show 2024
⏲ 5:29 👁 37.1M
👨🚀 FARSCAPE Latino 👨🚀FARSCAPE en Español Latino Transmisión ahora❗️FARSCAPE in Latin Spanish 🚀
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🚀 FARSCAPE en español 🚀 Transmisión ahora❗️FARSCAPE in Spanish 🚀
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The Breakdown: Shaboozey on 'Bar Song (Tipsy)'
⏲ 8:34 👁 4.6M
The Dead Don't Hurt | \"Everything\" | Viggo Mortensen & Vicky Krieps | IN THEATERS MAY 31
⏲ 15 seconds 👁 162.9K
🛩️ Thunderbirds from Gerry Anderson - Streaming now❗️
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Meet The Makers: The Sheffield womenswear designer with fashion in her blood
⏲ 4:6 👁 2.7M
👽 FARSCAPE by Jim Henson 🐸 Streaming Now❗️
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🛸 Space: 1999 - Live Action Streaming now❗️
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_weekly-video-teenage-boy-arrested-on-suspicion-of-arson-after-huge-derelict-factory-blaze.webp "A teenage boy has been arrested on suspicion of arson following a huge fire at a derelict factory in a Suffolk town.<br/>")
_jackie-chan-movie-marathon-from-tokushoutsu.webp "Shout! Studios")
_the-dead-don39t-hurt-124-9234together9234-124-viggo-mortensen-amp-vicky-krieps-124-in-theaters-friday.webp "Shout! Studios")
_glasgow-school-of-art-degree-show-2024.webp "GSA Degree Show 2024 runs from 31 May to 9 June across the GSA Glasgow Campus in Garnethill. The GSA’s Master of Fine Art Degree Show opens on 30 May – 9th June at Glue Factory.<br/>The Glasgow School of Art (GSA) Degree Show 2024 opens to the public on Friday 31 May where a new generation of students will showcase their innovation, creativity and energy in what is Glasgow’s largest public exhibition of work. The physical show will run alongside an expansive digital showcase, which launches live on 30 May.<br/>Over 600 students from across the GSA’s four schools – fine art, design, architecture and innovation and technology will exhibit work that addresses the contemporary landscape they will face as they start their creative careers - from AI, web3, identity and representation, the climate emergency to health and wellbeing.<br/>The show not only celebrates the achievements of the graduates but also emphasises the importance of creativity and innovation in addressing current societal challenges. From product design engineering and interaction design to painting and printmaking, the range of<br/>projects on display highlights the students' ability to tackle complex issues and pushboundaries across disciplines.<br/>This year’s Degree Show campaign features Spider Lily, a font made by Year 4 Communication Design graduating student Nikos Ho.<br/>Nikos’ font, the ethereal and fragile Spider Lily is based on his observations of forms from the Singapore cityscape. Introduced to the island as an ornamental plant, the Spider Lily found an ideal habitat in Singapore’s tropical climate and it has embraced for its beauty in the city’s urban landscape. The naturalisation of the spider lily in Singapore mirrors the diverse migrant population that has settled on the island, integrating into its social fabric, enriching the island’s landscape and identity.<br/>Professor Penny Macbeth, Director of The Glasgow School of Art said:<br/>\")
_farscape-latino-farscape-en-espaol-latino-transmisin-ahorafarscape-in-latin-spanish.webp "Shout! Studios")
_farscape-en-espaol-transmisin-ahorafarscape-in-spanish.webp "Shout! Studios")
![When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”")
_the-dead-don39t-hurt-124-9234everything9234-124-viggo-mortensen-amp-vicky-krieps-124-in-theaters-may-31.webp "Shout! Studios")
_thunderbirds-from-gerry-anderson-streaming-now.webp "Shout! Studios")
_meet-the-makers-the-sheffield-womenswear-designer-with-fashion-in-her-blood.webp "Our choice of clothes helps to define how we think of ourselves and how we think of others.<br/>An outfit can suggest social status, political beliefs, a certain taste in music and even our mood on any given day - there’s always story<br/>behind the clothes we wear.<br/>It’s one of the reasons Harriet Eccleston, whose clothing brand goes by the same name, felt compelled to continue in a family tradition of tailors, drapers and milliners stretching back generations.<br/>“It’s quite a personal thing,” she said. “The garments that you wear are one of the first things that people see about you and I guess (they) interpret your characteristics or your personality through your choice of clothing and that has always interested me - the emotion, the personality that clothes can bring out.”<br/>Working out of her one room workshop in the Albyn Works, a former<br/>factory building in Sheffield’s Kelham Island, Harriet creates<br/>womenswear with sustainability and heritage at its core.<br/>From ideation and fabric cutting all the way through to hand stitching buttons and packaging items, Harriet’s head, heart and hands are behind it all.<br/>The finest British cottons and wools are taken and combined with a soft colour palette to create elegant garments with a classic versatility.<br/>Yet the reason Harriet’s creations stand out is beyond their aesthetic.<br/>Examine them more closely and you find storytelling and tradition woven into every piece.<br/>The influence of Harriet’s ancestry is evident throughout her business.<br/>“Fashion is in my blood, their stories are in my heart,” reads her website.<br/>Scattered amid the fabric swatches and sketches on the work surfaces and pin boards of her workshop are black and white photos of a moustachioed man immaculately turned out regardless of the scene he appears in.<br/>The man’s name is E.D. Soulsby and he’s Harriet’s great great<br/>Grandfather. <br/>In the late 1800s and early 1900s, Soulsby, owned and ran a menswear shop in the industrial heartlands of Northumbria.<br/>“It was in the family for generations - everybody mucked in and was part of it.<br/>“My granny spent a lot of time there until she was married and she told me a lot of stories. <br/>“They specialised in quality menswear clothing and the idea was they were pieces that would last.”")
_farscape-by-jim-henson-streaming-now.webp "Shout! Studios")
_space-1999-live-action-streaming-now.webp "Shout! Studios")
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