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Márton Nemes: Techno Zen \Hungarian Pavilion at Venice Art Biennale 2024
⏲ 8:11 👁 30K
Wednesday speaking german (or is it dutch?)
⏲ 24 seconds 👁 407.2K
Aida Garifullina - Ave Maria (Schubert)
⏲ 4 minutes 56 seconds 👁 4.5M
Nigrum Theatrum “Footage from the Depths” No. 3
⏲ 4:4 👁 15K
Debunking myths about the EU | ARTE Europe Weekly
⏲ 10 minutes 6 seconds 👁 526
Christoph Waltz Gives Jimmy Fallon a German Words Quiz
⏲ 5 minutes 48 seconds 👁 10.6M
But de ARTE - Team 1
⏲ 0:31 👁 5K
Anzeigenhauptmeister Niclas M. nach Attacke in Klinik
⏲ 1 minute 58 seconds 👁 348.5K
ANDREA BOCELLI & AIDA GARIFULLINA- Con Te Partirò
⏲ 5 minutes 17 seconds 👁 6M
Creating Wijk bij Duurstede - 13-05-19
⏲ 1:11 👁 5K
Armin Laschet, warum willst du Bundeskanzler werden? | Kinder fragen Kanzler:innen | LNB
⏲ 10 minutes 1 second 👁 1.6M
Kein Pardon für Parksünder: Der »Anzeigenhauptmeister« zeigt sie alle an | SPIEGEL TV
⏲ 17 minutes 48 seconds 👁 2.7M
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_mrton-nemes-techno-zen-92-hungarian-pavilion-at-venice-art-biennale-2024.webp "Márton Nemes: Techno Zen / Hungarian Pavilion at Venice Art Biennale 2024. April 19, 204.<br/>Official description: Márton Nemes’ work is influenced by techno subcultures; the explosion and rearrangement of the pictorial field gives a psychedelic character to his abstract paintings that evoke the visual atmosphere of nightclubs. Combining painterly and sculptural elements, his multimedia installations create a hypnotic spatial dynamic that propels the viewer from the harsh, real world into a dizzying, fluorescent colour field. Nemes designed the project Techno Zen as an immersive, painting-based Gesamtkunstwerk that expands to other media. Laser-cut steel, car paint, enamelled steel plate, projection, DMX lights, speakers and coloured fans are the tools that he reinterprets the palette of painting with and makes the environment multisensory: its optical, acoustic and haptic content unfolds through the combined effects of light, colour, movement and sound. The project, structured in three main parts, can be fully experienced when the visitor stands in the centre of the pavilion that links left, right, front and back spaces. To be in the middle carries a symbolic meaning, it is both physical and ontological. In an era of polarized societal phenomena that exclude nuances, the project conveys a humanistic message that we, albeit its simplicity, should keep reminding ourselves of.")
_wednesday-speaking-german-or-is-it-dutch.webp "PopMov")
_aida-garifullina-ave-maria-schubert.webp "Aida Garifullina")
_nigrum-theatrum-footage-from-the-depths-no-3.webp "https://facebook.nigrum-culina.de<br/>https://instagram.nigrum-culina.de<br/>https://youtube.nigrum-culina.de<br/>https://nigrum-culina.de")
_debunking-myths-about-the-eu-124-arte-europe-weekly.webp "ARTE.tv Documentary")
_christoph-waltz-gives-jimmy-fallon-a-german-words-quiz.webp "The Tonight Show Starring Jimmy Fallon")
_but-de-arte-team-1.webp "But de ARTE - Team 1 from arte latein")
_anzeigenhauptmeister-niclas-m-nach-attacke-in-klinik.webp "BILD")
_andrea-bocelli-amp-aida-garifullina-con-te-partir.webp "Aida Garifullina")
_creating-wijk-bij-duurstede-13-05-19.webp "Available as original (if not sold), prints & printable. Visit my website for more information:<br/>Website link: https://corneakkers.com/2019/07/05/wijk-bij-duurstede-13-05-19/<br/>Printable: https://corneakkers.com/product/printable-wijk-bij-duurstede-13-05-19/<br/><br/>In the Middle of the Netherlands<br/> <br/>I came to visit Wijk bij Duurstede, a small city near Utrecht. Just outside the city center there is this park towards the river Lek. When you enter it you immediately see the park is actually a former bastion. In the middle there are the remnants of a once bigger castle Duurstede. It’s everything one can expect from a medieval castle. There’s a moat, a keep and a perfect preserved round Burgundian tower. Not the first time I’ve been there but the first time there wasn’t a lot of sunshine. As a discipline of the light I need the atmosphere around objects to be bright and dark.<br/><br/>Majestic Things<br/><br/>So there it was, the second time there was plenty of sun and for that matter also cast shadows. Next, let me tell you about a challenge each artist faces trying to capture majestic things. Buildings, trees, castles and what not can look very smallish if rendered with harsh contour delineations. The trick is to put them into context with surroundings. Therefor I didn’t fine detail the tower in order to keep it at some distance. By doing less I tried to make it appear to be larger, taking Monet’s message (Rouen series) to heart.<br/><br/>Hatched Strokes<br/><br/>Just as in the previous drawing of Veere I kept this one in my hatched strokes style. I experienced this suits me best to do landscapes and cities with. Especially in small format like A5 and A6 forms look not too small as explained in the previous paragraph. One could say these have become a style in their own right. Surely way different from all things cubist and surrealist I create as well.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (10.5 x 14.8 x 0.1 cm – A6 format)<br/>Artist: Corné Akkers")
_armin-laschet-warum-willst-du-bundeskanzler-werden-124-kinder-fragen-kanzlerinnen-124-lnb.webp "Late Night Berlin")
_kein-pardon-fr-parksnder-der-anzeigenhauptmeister-zeigt-sie-alle-an-124-spiegel-tv.webp "DER SPIEGEL")
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