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2nd TEST in the subway of Paris
⏲ 1 min 1 sec ✓ 10-Feb-2008
ATR3350 Lavalier Mic & 7D
⏲ 36 sec ✓ 05-Sep-2011
poulStig_AHLEM_FrenchGirl-inLA_02m27s00f_0db_v003
⏲ 1 min 47 sec ✓ 05-May-2018
An Introvert's View of The Playa - Burning Man
⏲ 7 min 23 sec ✓ 08-Sep-2013
Live Set Mastering
⏲ 10 min 90 sec ✓ 02-Mar-2010
golden wedding anniversary - shoot on fx 1000
⏲ 2 min 65 sec ✓ 10-Mar-2009
TESTs before the shooting in the subway of Paris
⏲ 1 min 1 sec ✓ 09-Feb-2008
Q MINI SHOTGUN PRO on a NIKON D800
⏲ 2 min 10 sec ✓ 11-Jun-2012
Sample footage from PMW-100, PMW-150 and PMW-200 from IBC 2012
⏲ 1 min 30 sec ✓ 14-Sep-2012
RobinMobile_spot-IV_15_versie-1_31-01-2019_HD_0db
⏲ 15 sec ✓ 21-Mar-2019
Sony PXW-Z280 Street lighting test
⏲ 1 min 47 sec ✓ 08-Jul-2018
Fujifilm X-T2 Test
⏲ 20 sec ✓ 14-Sep-2016
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_live-set-mastering.jpg "In this video, I go over how I would create a mastering chain for my live set.nnLive set mastering is a lot easier and more gentle that mastering for an album. Your goal should be to achieve level at 0db without clipping an having a clean and consistent sound through out your set. You don't need to be so accurate and discerning to make it sound good coming out the PA. One of the key differences being that your creating a chain to accommodate for multiple tracks, rather than creating a tailored m")
_2nd-test-in-the-subway-of-paris.webp "2nd series of shots to see how the lights are in the subway before the real shooting with actors in a few days.nhv20 + DIY MINI35 + nikon 50mm 1.4nshot at 1/125 gain 0dbn25p (pal version)nb)nbe aware that they do electro rock music ... not cheezy ones like in the video &#&#")
_atr3350-lavalier-mic-amp-7d.webp "Audio Technica ATR-3350 connected directly to the Canon 7D DSLR.Notice the audio levels are extremely high and my voice is distorted.Using the ATR3350 connected directly to a DSLR is not a very good option at all unless you have Magic Lantern for the 550D (T2i), 5D Mark II, or other DSLR.nnUPDAT3 8/7/12 - Canon has released a new firmware for the 7D that allows control over the audio levels: http://www.usa.canon.com/cusa/consumer/standard_display/EOS7D_firmwarennWith Magic Lantern, you can c")
_poulstig-ahlem-frenchgirl-inla-02m27s00f-0db-v003.webp "poulStig_AHLEM_FrenchGirl-inLA_02m27s00f_0db_v003 from 0db")
_an-introvert39s-view-of-the-playa-burning-man.webp "I was a virgin Burner until finally making it to Black Rock City in 2013.This is a collection of video snippets of the most wondrous things I saw, experienced, and did at Burning Man.nnI actually do professional architectural photography but left my DSLR and tripod in the default world.This video was taken with a point-and-shoot.nnVideo by Daniel Gonzalesnexgaysurvivordan@gmail.comnnnnAll music is cleared for free use under a Creative Commons:nn")
_live-set-mastering.webp "In this video, I go over how I would create a mastering chain for my live set.nnLive set mastering is a lot easier and more gentle that mastering for an album. Your goal should be to achieve level at 0db without clipping an having a clean and consistent sound through out your set. You don't need to be so accurate and discerning to make it sound good coming out the PA. One of the key differences being that your creating a chain to accommodate for multiple tracks, rather than creating a tailored m")
_golden-wedding-anniversary-shoot-on-fx-1000.webp "I shoot my Grandparents anniversary, Golden Wedding.nShoot on Fx 1000, edited in Sony Vegas Pro 8.nNo Color Corection, shoot in 25p.nGain: 0db, 1080-50i")
_tests-before-the-shooting-in-the-subway-of-paris.webp "just a few shots to see how the lights are in the subway before the real shooting with actors in a few days.nhv20 + DIY MINI35 + nikon 50mm 1.4 nshot at 1/125 gain 0db n25p (pal version)nnmusic by JUNES (www.junes.fr) nand podcast : http://podcast.junes.fr) itunes only ;)nbe aware that they do electro rock music ... not cheezy ones like in the video &#&#")
_q-mini-shotgun-pro-on-a-nikon-d800.webp "The new Q MINI SHOTGUN PRO (COMING SOON!) is the perfect microphone to use with a NIKON D800. 0dB, +10dB, and +20dB selectable gain stages gives the clean gain, and flexibility needed for professional shotgun audio results. nnnnThe Q Mini Shotgun Pro is available in the")
_sample-footage-from-pmw-100-pmw-150-and-pmw-200-from-ibc-2012.webp "I was able to grab some footage from the PMW-100, PMW-150 and PMW-200 on the Sony booth . Here it is, it's ungraded, all the cameras were set to 25p with 1/50th shutter, 0db gain.nnNot very scientific, but if nothing else it shows that the cameras are well matched. What I observed was a steady decrease in noise and increase in sensitivity as you went from the 100 to the 150 and the 200. The 100 had a lot less dynamic range than the other two. The difference between the 150 and 200 isn't massive")
_robinmobile-spot-iv-15-versie-1-31-01-2019-hd-0db.webp "RobinMobile_spot-IV_15_versie-1_31-01-2019_HD_0db from 0db")
_sony-pxw-z280-street-lighting-test.webp "XAVC - I 1080-50p - Edius 7 Timeline 1080-25pnGain 0db - 6db - 9db")
_fujifilm-x-t2-test.webp "This video is a little colour test of the Fujifilm X-T2.nnSettings:nUHD 24p downscaled to HDnISO: 640nShutter: 1/50nFilm Simulation: Pro Neg StdnHighlight Tone: -2nShadow Tone: -2nColor: -4nSharpness: -4nAudio: Rode VideoMic Pro directly into camera. (0dB, but also dialed back a little in FCPX)nColour Grading: Davinci Resolve and Film Convert (some KD 5207 Vis3)nEditing: Final Cut Pro X")
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