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Luthier Building An Acoustic Guitar
⏲ 8:29 👁 15K
Luís Kalil – 'Boulevard' Reverse Tapping Lesson
⏲ 9:48 👁 135K
How To Play 'Triple J Hoedown' Part 2 Tutorial With Josh Smith
⏲ 3:5 👁 175K
A DR0P OF HUMANITY: OFFERING WATER TO A TRANSIENT
⏲ 0:27 👁 30K
Freeway – Riding HighRock1975.
⏲ 44:13 👁 15K
Tum Hi HoAashiqui 2Instrumental Cover tumhiho instrumentalmusic viral slowedandreverb_1080p
⏲ 5:3 👁 35K
Neon– NeonRock, Psychedelic Rock1971.
⏲ 45:38 👁 15K
Ashbury – Eye Of The Stygian WitchesRock Style:\tHard Rock
⏲ 54:9 👁 10K
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_luthier-building-an-acoustic-guitar.jpg "A Luthier provides a basic overview of the steps to construct a hand-crafted acoustic guitar.")
_lus-kalil-39boulevard39-reverse-tapping-lesson.jpg "Luís Kalil stopped by Guitar World studios to give us another lesson in reverse tapping. This time for his song, \")
_how-to-play-39triple-j-hoedown39-part-2-tutorial-with-josh-smith.jpg "LIVE FR0M FLAT V by Josh Smith<br/>LET IT RING<br/><br/>Last time, Josh Smith started teaching his tune “Triple J Hoedown,” specifically the version from the Live at the Spud album. The lesson made it all the way up to almost the bridge, which leads the way into a long unison lick, played by both guitar and bass, which is then followed by the funk section of the tune. So, as a composition, we transition from “bluegrass-fusion” to a funk groove.<br/>#JoshSmith #Inception")
_a-dr0p-of-humanity-offering-water-to-a-transient.jpg "In the clamoring streets of the city, where each step resonations with distress and reason, there exists a mysterious world, one habitually disregarded by the hurried observer. Amidst the expanse of withdrawn faces, there lies a man, persevered by time and circumstance, his exhausted figure hung in broken down layers, searching for solace in the shadow of rising above structures. He is the representation of ignored dreams and rejected trusts, a calm spectator to the common example of humanity's absence of concern.<br/><br/>It is amidst this view of metropolitan anonymity that a fundamental act of kindness spreads out, a showing of the strength of compassion in a world bewildered by its own absence of concern. It begins with a young woman, her means faltering as she sees the single figure bunched against the infection concrete. In her eyes, there is a glint of affirmation, a transient depiction of sympathy that traverses the huge hole of social hole.<br/><br/>Conclusively, she floats away from her predestined way, her heart guiding her towards a depiction of huge affiliation. She pushes toward the man with temporary advances, her commitment held out like an uplifting sign in the midst of hopelessness. It is an unobtrusive sign, a container of water upheld in her outstretched hand, yet inside its ease lies the capacity to transcend limits and contact the genuine encapsulation of humanity.<br/><br/>The transient's look meets hers, his eyes reflecting a kaleidoscope of sentiments — shock, appreciation, and perhaps, a glimmer of suspicion. For in a world that has since quite some time in the past double-crossed him, this little act of kindness fills in as an update that sympathy surpasses every single sensible constraint. With shiver hands, he recognizes the offered water, his dry throat yearning for the cool embrace of its things.<br/><br/>As he takes a taste, a sensation of re-energizing washes over him, a passing preview of alleviation from the savage genuine elements of street life. It isn't just the genuine assistance of thirst that he experiences, yet rather, a more significant sensation of endorsement — an insistence of his natural worth personally. In the exchanging of an essential container of water, an affiliation is formed, interfacing the huge hole of social partition with strings of compassion and understanding.<br/><br/>For the young woman, the experience is a bringing down indication of the power of compassion to transcend limits and join the separated pieces of humanity. In a world that regularly gives off an impression of being consumed by private situation and absence of concern, it is easy to forget to zero in on the huge impact that even the tiniest acts of kindness can have. In any case, in offering water to a transient in the city, she finds a stockpile of compassion inside herself, a wellspring of sympathy fit to be delivered.<br/><br/>In the days that follow, the memory of that passing experience holds up like a mumb")
_freeway-riding-high-rock-1975.jpg "A1Riding High<br/>A2Stone Me<br/>A3Sad Rock 'N' Roll<br/>A4Rock Teaser<br/>A5Wheels Of Fortune<br/>B1Amazin' Lady<br/>B2Turn The Page<br/>B3My House<br/>B4So Appealing<br/>B5Rock 'N' Roll Nation<br/>Bass, Vocals – Criston Barker<br/>Drums – Bill Lincoln (3)<br/>Guitar – Steve Welch (6)<br/>Keyboards, Piano, Clarinet – John Grant (21)<br/>Lead Vocals, Percussion – Frank Chic")
_tum-hi-ho-aashiqui-2-instrumental-cover-tumhiho-instrumentalmusic-viral-slowedandreverb-1080p.jpg "**Tum Hi Ho - Aashiqui 2 | Instrumental Cover** <br/><br/>Immerse yourself in the soul-stirring magic of \")
![A1Mountain Baby<br/>Written-By – Francis Crabtree<br/>6:26<br/>A2Hold Back My Tears<br/>Written-By – Francis Crabtree<br/>3:24<br/>A3Dark Is The Night<br/>Written-By – Bob King, Tommy James<br/>3:26<br/>A4Can't Stop Myself (From Loving You)<br/>Written-By – Francis Crabtree<br/>6:20<br/>B1Magic Man<br/>Written-By – Francis Crabtree<br/>7:31<br/>B2Nobody Nowhere<br/>Written-By – Crabtree*, Porter*, Brannigan*, Leslie*<br/>7:30<br/>B3Funny Kid Of Feelin'<br/>Written-By – Francis Crabtree<br/>5:12<br/>Manufactured By – Quality Records Limited<br/>Produced For – Tommy James Ventures, Inc.<br/>Recorded At – Allegro Sound Studios<br/>Arranged By [Musical And Vocal Arrangements] – B. King*, Neon (35), T. James*<br/>Art Direction – Ruby Mazur<br/>Bass, Lead Vocals – Fung Porter<br/>Engineer – Bruce Staple<br/>Guitar, Vocals – Peter Brannigan<br/>Keyboards, Vocals – Francis Crabtree<br/>Management – Mark Alan (11)<br/>Percussion, Lead Vocals – Russell Leslie<br/>Photography By – Francis Ing, Studio I<br/>Producer – Bob King, Tommy James](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KESD5ImSwERE0HT80IxI6Fv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_neon-neon-rock-psychedelic-rock-1971.jpg "A1Mountain Baby<br/>Written-By – Francis Crabtree<br/>6:26<br/>A2Hold Back My Tears<br/>Written-By – Francis Crabtree<br/>3:24<br/>A3Dark Is The Night<br/>Written-By – Bob King, Tommy James<br/>3:26<br/>A4Can't Stop Myself (From Loving You)<br/>Written-By – Francis Crabtree<br/>6:20<br/>B1Magic Man<br/>Written-By – Francis Crabtree<br/>7:31<br/>B2Nobody Nowhere<br/>Written-By – Crabtree*, Porter*, Brannigan*, Leslie*<br/>7:30<br/>B3Funny Kid Of Feelin'<br/>Written-By – Francis Crabtree<br/>5:12<br/>Manufactured By – Quality Records Limited<br/>Produced For – Tommy James Ventures, Inc.<br/>Recorded At – Allegro Sound Studios<br/>Arranged By [Musical And Vocal Arrangements] – B. King*, Neon (35), T. James*<br/>Art Direction – Ruby Mazur<br/>Bass, Lead Vocals – Fung Porter<br/>Engineer – Bruce Staple<br/>Guitar, Vocals – Peter Brannigan<br/>Keyboards, Vocals – Francis Crabtree<br/>Management – Mark Alan (11)<br/>Percussion, Lead Vocals – Russell Leslie<br/>Photography By – Francis Ing, Studio I<br/>Producer – Bob King, Tommy James")
_ashbury-eye-of-the-stygian-witches-rock-style92thard-rock.jpg "A1End Of All Time 5:22<br/>A2Good Guitar 6:12<br/>A3Summer Fades Away 2:36<br/>A4Celtic Cross 3:17<br/>A5Waited So Long 9:01<br/>B1Out Of The Blue 4:50<br/>B2Faceless Waters 6:19<br/>B3Searchin' 4:15<br/>B4Amber Glass 3:13<br/>B5Eye Of The Stygian Witches 7:37<br/>B6All My Memories 1:25<br/>Phonographic Copyright ℗ – High Roller Records<br/>Copyright © – Ashbury South Music<br/>Bass – Eddie Hosmer, Joey Moreno <br/>Drums – John Gimmler<br/>Guitar, Harmony Vocals – John Bujak<br/>Lead Guitar, Vocals – Randy Davis <br/>Painting – Dominika Tarkowska<br/>Vocals, Acoustic Guitar – Rob Davis")
_luthier-building-an-acoustic-guitar.webp "A Luthier provides a basic overview of the steps to construct a hand-crafted acoustic guitar.")
_lus-kalil-39boulevard39-reverse-tapping-lesson.webp "Luís Kalil stopped by Guitar World studios to give us another lesson in reverse tapping. This time for his song, \")
_how-to-play-39triple-j-hoedown39-part-2-tutorial-with-josh-smith.webp "LIVE FR0M FLAT V by Josh Smith<br/>LET IT RING<br/><br/>Last time, Josh Smith started teaching his tune “Triple J Hoedown,” specifically the version from the Live at the Spud album. The lesson made it all the way up to almost the bridge, which leads the way into a long unison lick, played by both guitar and bass, which is then followed by the funk section of the tune. So, as a composition, we transition from “bluegrass-fusion” to a funk groove.<br/>#JoshSmith #Inception")
_a-dr0p-of-humanity-offering-water-to-a-transient.webp "In the clamoring streets of the city, where each step resonations with distress and reason, there exists a mysterious world, one habitually disregarded by the hurried observer. Amidst the expanse of withdrawn faces, there lies a man, persevered by time and circumstance, his exhausted figure hung in broken down layers, searching for solace in the shadow of rising above structures. He is the representation of ignored dreams and rejected trusts, a calm spectator to the common example of humanity's absence of concern.<br/><br/>It is amidst this view of metropolitan anonymity that a fundamental act of kindness spreads out, a showing of the strength of compassion in a world bewildered by its own absence of concern. It begins with a young woman, her means faltering as she sees the single figure bunched against the infection concrete. In her eyes, there is a glint of affirmation, a transient depiction of sympathy that traverses the huge hole of social hole.<br/><br/>Conclusively, she floats away from her predestined way, her heart guiding her towards a depiction of huge affiliation. She pushes toward the man with temporary advances, her commitment held out like an uplifting sign in the midst of hopelessness. It is an unobtrusive sign, a container of water upheld in her outstretched hand, yet inside its ease lies the capacity to transcend limits and contact the genuine encapsulation of humanity.<br/><br/>The transient's look meets hers, his eyes reflecting a kaleidoscope of sentiments — shock, appreciation, and perhaps, a glimmer of suspicion. For in a world that has since quite some time in the past double-crossed him, this little act of kindness fills in as an update that sympathy surpasses every single sensible constraint. With shiver hands, he recognizes the offered water, his dry throat yearning for the cool embrace of its things.<br/><br/>As he takes a taste, a sensation of re-energizing washes over him, a passing preview of alleviation from the savage genuine elements of street life. It isn't just the genuine assistance of thirst that he experiences, yet rather, a more significant sensation of endorsement — an insistence of his natural worth personally. In the exchanging of an essential container of water, an affiliation is formed, interfacing the huge hole of social partition with strings of compassion and understanding.<br/><br/>For the young woman, the experience is a bringing down indication of the power of compassion to transcend limits and join the separated pieces of humanity. In a world that regularly gives off an impression of being consumed by private situation and absence of concern, it is easy to forget to zero in on the huge impact that even the tiniest acts of kindness can have. In any case, in offering water to a transient in the city, she finds a stockpile of compassion inside herself, a wellspring of sympathy fit to be delivered.<br/><br/>In the days that follow, the memory of that passing experience holds up like a mumb")
_freeway-riding-high-rock-1975.webp "A1Riding High<br/>A2Stone Me<br/>A3Sad Rock 'N' Roll<br/>A4Rock Teaser<br/>A5Wheels Of Fortune<br/>B1Amazin' Lady<br/>B2Turn The Page<br/>B3My House<br/>B4So Appealing<br/>B5Rock 'N' Roll Nation<br/>Bass, Vocals – Criston Barker<br/>Drums – Bill Lincoln (3)<br/>Guitar – Steve Welch (6)<br/>Keyboards, Piano, Clarinet – John Grant (21)<br/>Lead Vocals, Percussion – Frank Chic")
_tum-hi-ho-aashiqui-2-instrumental-cover-tumhiho-instrumentalmusic-viral-slowedandreverb-1080p.webp "**Tum Hi Ho - Aashiqui 2 | Instrumental Cover** <br/><br/>Immerse yourself in the soul-stirring magic of \")
![A1Mountain Baby<br/>Written-By – Francis Crabtree<br/>6:26<br/>A2Hold Back My Tears<br/>Written-By – Francis Crabtree<br/>3:24<br/>A3Dark Is The Night<br/>Written-By – Bob King, Tommy James<br/>3:26<br/>A4Can't Stop Myself (From Loving You)<br/>Written-By – Francis Crabtree<br/>6:20<br/>B1Magic Man<br/>Written-By – Francis Crabtree<br/>7:31<br/>B2Nobody Nowhere<br/>Written-By – Crabtree*, Porter*, Brannigan*, Leslie*<br/>7:30<br/>B3Funny Kid Of Feelin'<br/>Written-By – Francis Crabtree<br/>5:12<br/>Manufactured By – Quality Records Limited<br/>Produced For – Tommy James Ventures, Inc.<br/>Recorded At – Allegro Sound Studios<br/>Arranged By [Musical And Vocal Arrangements] – B. King*, Neon (35), T. James*<br/>Art Direction – Ruby Mazur<br/>Bass, Lead Vocals – Fung Porter<br/>Engineer – Bruce Staple<br/>Guitar, Vocals – Peter Brannigan<br/>Keyboards, Vocals – Francis Crabtree<br/>Management – Mark Alan (11)<br/>Percussion, Lead Vocals – Russell Leslie<br/>Photography By – Francis Ing, Studio I<br/>Producer – Bob King, Tommy James](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KESD5ImSwERE0HT80IxI6Fv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_neon-neon-rock-psychedelic-rock-1971.webp "A1Mountain Baby<br/>Written-By – Francis Crabtree<br/>6:26<br/>A2Hold Back My Tears<br/>Written-By – Francis Crabtree<br/>3:24<br/>A3Dark Is The Night<br/>Written-By – Bob King, Tommy James<br/>3:26<br/>A4Can't Stop Myself (From Loving You)<br/>Written-By – Francis Crabtree<br/>6:20<br/>B1Magic Man<br/>Written-By – Francis Crabtree<br/>7:31<br/>B2Nobody Nowhere<br/>Written-By – Crabtree*, Porter*, Brannigan*, Leslie*<br/>7:30<br/>B3Funny Kid Of Feelin'<br/>Written-By – Francis Crabtree<br/>5:12<br/>Manufactured By – Quality Records Limited<br/>Produced For – Tommy James Ventures, Inc.<br/>Recorded At – Allegro Sound Studios<br/>Arranged By [Musical And Vocal Arrangements] – B. King*, Neon (35), T. James*<br/>Art Direction – Ruby Mazur<br/>Bass, Lead Vocals – Fung Porter<br/>Engineer – Bruce Staple<br/>Guitar, Vocals – Peter Brannigan<br/>Keyboards, Vocals – Francis Crabtree<br/>Management – Mark Alan (11)<br/>Percussion, Lead Vocals – Russell Leslie<br/>Photography By – Francis Ing, Studio I<br/>Producer – Bob King, Tommy James")
_ashbury-eye-of-the-stygian-witches-rock-style92thard-rock.webp "A1End Of All Time 5:22<br/>A2Good Guitar 6:12<br/>A3Summer Fades Away 2:36<br/>A4Celtic Cross 3:17<br/>A5Waited So Long 9:01<br/>B1Out Of The Blue 4:50<br/>B2Faceless Waters 6:19<br/>B3Searchin' 4:15<br/>B4Amber Glass 3:13<br/>B5Eye Of The Stygian Witches 7:37<br/>B6All My Memories 1:25<br/>Phonographic Copyright ℗ – High Roller Records<br/>Copyright © – Ashbury South Music<br/>Bass – Eddie Hosmer, Joey Moreno <br/>Drums – John Gimmler<br/>Guitar, Harmony Vocals – John Bujak<br/>Lead Guitar, Vocals – Randy Davis <br/>Painting – Dominika Tarkowska<br/>Vocals, Acoustic Guitar – Rob Davis")
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