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Feriha does not forgive the Emir!<br/><br/>Emir, whose hands are tied with regret, asks for help from Koray, although he does not know what to do. While Koray and Gülsüm take Feriha to their house, Emir vargücü tries to apologize to Feriha, but Feriha doesn't even feel ready to see her yet. In the doorman's apartment, the subject is nothing but Feriha's crumbling marriage. Rıza, who does not want to deal with Feriha openly, is uneasy about Feriha leaving her house and assigns Hatice to call on her daughter to return to her husband. However, Hatice and Seher's visit, aside from making Feriha return to Emir's side, pushes Feriha to question her family and family values. Realizing that she is completely alone with her family's attitude, Feriha leaves all Emir's struggles unrequited with all her heartbreak and settles in a student dormitory. While Emir is taking all the opportunities to talk to Feriha, the first hearing of the case opened by Ünal to the Yılmaz family is going to be eventful. However, the real big event that everyone is unaware of is waiting for its turn to appear.<br/><br/>Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık
⏲ 3:45 👁 90K
Feriha does not forgive the Emir!<br/><br/>Emir, whose hands are tied with regret, asks for help from Koray, although he does not know what to do. While Koray and Gülsüm take Feriha to their house, Emir vargücü tries to apologize to Feriha, but Feriha doesn't even feel ready to see her yet. In the doorman's apartment, the subject is nothing but Feriha's crumbling marriage. Rıza, who does not want to deal with Feriha openly, is uneasy about Feriha leaving her house and assigns Hatice to call on her daughter to return to her husband. However, Hatice and Seher's visit, aside from making Feriha return to Emir's side, pushes Feriha to question her family and family values. Realizing that she is completely alone with her family's attitude, Feriha leaves all Emir's struggles unrequited with all her heartbreak and settles in a student dormitory. While Emir is taking all the opportunities to talk to Feriha, the first hearing of the case opened by Ünal to the Yılmaz family is going to be eventful. However, the real big event that everyone is unaware of is waiting for its turn to appear.<br/><br/>Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık
⏲ 4:59 👁 85K
Feriha does not forgive the Emir!<br/><br/>Emir, whose hands are tied with regret, asks for help from Koray, although he does not know what to do. While Koray and Gülsüm take Feriha to their house, Emir vargücü tries to apologize to Feriha, but Feriha doesn't even feel ready to see her yet. In the doorman's apartment, the subject is nothing but Feriha's crumbling marriage. Rıza, who does not want to deal with Feriha openly, is uneasy about Feriha leaving her house and assigns Hatice to call on her daughter to return to her husband. However, Hatice and Seher's visit, aside from making Feriha return to Emir's side, pushes Feriha to question her family and family values. Realizing that she is completely alone with her family's attitude, Feriha leaves all Emir's struggles unrequited with all her heartbreak and settles in a student dormitory. While Emir is taking all the opportunities to talk to Feriha, the first hearing of the case opened by Ünal to the Yılmaz family is going to be eventful. However, the real big event that everyone is unaware of is waiting for its turn to appear.<br/><br/>Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık
⏲ 2:58 👁 80K
This movie explores the story of a married man engaged in an extramarital affair with his secretary. One day, he encounters a woman who flirts with him, showing a keen interest in being with him. Despite his marital commitment, he finds himself drawn to her. To sustain this clandestine relationship, he resorts to sneaking in and out of his home, as she happens to be his workplace secretary.<br/>Movie Name : Men In Hope<br/><br/>Get 65% off NordVPN + 3 months extra<br/> Use VPN and protect your data : https://bit.ly/3V08kmr
⏲ 5:0 👁 80K
#khumar #ferozekhan #neelammuneer<br/><br/>Khumar is a timeless love story that delves into the challenges arising from societal class differences and the negativity that stems from them. Khumar explores the complexities of love in the face of societal expectations and challenges. Faiz and Hareem, two individuals from different backgrounds, find their lives connected by destiny.<br/><br/>Faiz, born into an affluent family, contrasts sharply with Hareem, who hails from a<br/>lower-middle-class background. Despite their differences, fate weaves their paths together. Hareem, diligently working to make ends meet amid her brother Rufi's educational needs and her mother's medical expenses, faces numerous hurdles. In the midst of her struggles, Faiz, a friend of Rufi's, silently supports them financially and even gets work for Hareem, albeit discreetly.<br/><br/>Hareem's family doesn't know that Faiz loves her, leading to a one-sided love affair. Faiz's love for Hareem remains a secret, but his mother disapproves of his association with Hareem's family due to the significant class difference. But fate decides to play its tune, and an unexpected event turns the lives of Faiz and Hareem upside down.<br/><br/>What was this surprising turn of events that changed everything for Faiz and Hareem? Will the gap in their social status keep them apart? Can Faiz convince his mother to accept Hareem? If they marry, can they create a happy life together despite their different backgrounds and mindsets?<br/><br/><br/>#khumar <br/>#ferozekhan <br/>#neelammuneer
⏲ 2:57 👁 80K
The model embraces spring with fresh, glowy skin, and a sexily undone red lip.<br/><br/>Director: Gabrielle Reich<br/>DP: Dominik Czaczyk<br/>Editor: Michael Suyeda<br/><br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Becca Guzman<br/>Production Manager: Natasha Soto- Albors<br/>Production Coordinator: Ava Kashar<br/>Associate Talent Manager: Paige Garbarini<br/>Global Talent Casting Director: Ignacio Murillo<br/> <br/>Post Production Supervisor: Alexa Deutsch<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Assistant Editor: Billy Ward<br/>Filmed at: Waldorf Astoria Beverly Hills
⏲ 11:27 👁 75K
This film narrates the story of a 50-year-old man captivated by feelings for a 25-year-old married woman. His affection for her runs deep, compelling him to engage in conversations aimed at leaving an impression. Although the young woman finds his company amiable, it's friendship rather than romance that she seeks. Undeterred, he begins to trail her discreetly, sharing moments and endeavoring to win her over. As the story unfolds, his persistent efforts eventually yield the desired outcome.<br/>Movie Name : Gemma Bovery<br/><br/>Get 65% off NordVPN + 3 months extra<br/> Use VPN and protect your data : https://bit.ly/3V08kmr
⏲ 3:40 👁 385K
<br/>Feriha does not forgive the Emir!<br/><br/>Emir, whose hands are tied with regret, asks for help from Koray, although he does not know what to do. While Koray and Gülsüm take Feriha to their house, Emir vargücü tries to apologize to Feriha, but Feriha doesn't even feel ready to see her yet. In the doorman's apartment, the subject is nothing but Feriha's crumbling marriage. Rıza, who does not want to deal with Feriha openly, is uneasy about Feriha leaving her house and assigns Hatice to call on her daughter to return to her husband. However, Hatice and Seher's visit, aside from making Feriha return to Emir's side, pushes Feriha to question her family and family values. Realizing that she is completely alone with her family's attitude, Feriha leaves all Emir's struggles unrequited with all her heartbreak and settles in a student dormitory. While Emir is taking all the opportunities to talk to Feriha, the first hearing of the case opened by Ünal to the Yılmaz family is going to be eventful. However, the real big event that everyone is unaware of is waiting for its turn to appear.<br/><br/>Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık
⏲ 5:54 👁 245K
This movie tells the story of a man who rents out his house to a woman, but behind her back, he harbors sinister intentions. He secretly invades her home, intent on coercing her while she sleeps. He resorts to administering sleeping pills to induce unconsciousness in her slumber.<br/>Movie Name : The Resident<br/><br/>Get 65% off NordVPN + 3 months extra<br/> Use VPN and protect your data : https://bit.ly/3V08kmr
⏲ 5:12 👁 65K
And just like that, a character arc was ruined. Welcome to MsMojo, and today we’re counting down our picks for the times our favorite characters bore the brunt of some unpopular writing decisions.
⏲ 15:9 👁 2.8M
The Italian box office sensation THERE’S STILL TOMORROW (C’È ANCORA DOMANI) will be launched across Vue’s UK and Ireland cinemas from 26 April, with tickets now on sale.<br/><br/>The comedy-drama, which is lead actor Paola Cortellesi’s directorial debut, has broken Italian records becoming the most-watched 2023 release, performing better than Barbie or Oppenheimer by box office. It also sold out a record number of screenings at its recent London preview at Cinema Made In Italy festival. The film is now the third-largest Italian film in the last 10 years and one of Italy’s top 10 highest grossing films of all time, not to mention the largest Italian film directed by a woman, in history.<br/><br/>Set in Rome in 1946 on the eve of women gaining the right to vote, the film plays out against a backdrop of poverty, domestic violence and toxic masculinity, centring around one woman’s determination to break the cycle of abuse. A contemporary take on classic neorealism, the film counters its tough themes with unexpected comic moments and an optimistic outlook around female empowerment. It features a modern soundtrack including music by the Jon Spencer Blues Explosion.<br/><br/>In post-war Rome, a city torn between its newfound liberation and the miserable aftermath of the Second World War, Delia (Paola Cortellesi) is seemingly resigned to her traditional role of wife and mother. Her husband Ivano (Valerio Mastandrea) is the undisputed master of the family. Delia sees her daughter Marcella’s (Romana Maggiora Vergano) engagement to her middle-class boyfriend, Giulio (Francesco Centorame), as Marcella’s chance to avoid the same fate as her. Everything suddenly changes when a mysterious letter arrives and fires up Delia’s courage to overturn convention and start wishing for a better life – and not just for herself.<br/><br/>The move into feature film distribution marks a first for Vue, an exhibitor, which operates 92 cinemas in the UK and Ireland and is the largest privately owned cinema operator in Europe. Until now, Vue has primarily released pre-school programming, concerts and big screen sports events but following the incredible success of THERE’S STILL TOMORROW in Vue’s Italian sites, Vue saw an opportunity to bring its customers even more choice.<br/><br/>\
⏲ 2:19 👁 1.7M
The Double Life of My Billionaire Husband Part 23-33<br/>
⏲ 16:56 👁 60K
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