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Kon-Tiki - Particle debris (Houdini)nBredbandsbolaget Pixels - Particles, City Pixellation (Houdini)nPlan - Mass Construction - House Particle systems (Houdini), wave debris (Maya)nKon-Tiki - Particle bubbles (Houdini)nFunlight - Mist , particles and fluid elements (Houdini)nKon-Tiki - Particle flocking RND (Houdini)nLightrunners Event - Light-trail generation setup (Houdini), rendering (Maya + Vray)nPlan - Mass Construction - Hospital and swingset particle systems (Houdini), wave debris (Maya
Max Erlandsson Reel 2013
⏲ 78 sec ✓ 19-Aug-2013
Timeline: 2 monthsnnCommercial project created at Hornet Inc. in New York City.nnDirector:Guilherme MarcondesnnMy role on this spot was CG Supervisor/3d Lead.nMy responsibilities were: nn-project management/3d pipeline n-hero planet lighting/shading/house model additions n-interior layout/modeling/shadingn-lighting for laundry room, bathroom and kitchen. n-rendering/render layersn-exporting camera and null data for After Effects animators. nnAll of the beauty passes were rendered using V-Ray.n
British Gas:Rescue2011
⏲ 30 sec ✓ 15-Sep-2011
My animation work on cinematics for Injustice 2.nnThe facial animation is not my work.nnMY WORK:nnFull body, hand keyed animation with a mocap base. Finger animation (all hand keyed fingers, no mocap). Including hand keyed props (all) Catwoman's whip, Batman's batarang/kryptonite rope, Scarecrow's gas blower/chain, Supergirl's ship, etc, and environment animation.nnWhat I Did: Staging/layout of assets, blending clips, extensive reworking/editing/retiming of mocap and significant amounts of hand
Robert Morrison - Injustice 2 Animation Full Reel
⏲ 3 min 70 sec ✓ 22-May-2017
Showreel Breakdown:nn00:06:10 – 00:17:10nA Raytracer in C++ and OpenGL. Renders Obj files, textures (UV’s andnMappings), primitives, Global Illumination with Color Bleeding,nAmbient Occlusion, Reflections, Bounding Box collision, Multi-jitterednsampling. Implements BRDF models of Lambertian, Perfect Specular andnGlossy Specular. A simple raytracer is extended to Whitted one fornReflection and to a Path tracer for GI. For lights: Spot, Directionnand Ambient. Spotlight is implemented with atte
General Showreel
⏲ 1 min 68 sec ✓ 29-Sep-2011
Here's an edit from Soul Shred 2018 brought to you by Slash Snowboards and the whole Tribe!nSpecial Thanks to Shire Roots and Irie-Bingo.com for the awesome soundtrack,nhttps://soundcloud.com/irie-bingo-soundsystemnhttps://soundcloud.com/shire-rootsnnsoul shred credits -nnCarved out from the glacial Ice of the awe inspiring Kaunertal mountain wastelandsnSOULSHRED 2018 created in perfect harmony with SLASH by GIGI.nLegions of warrior shredders descended on the sleepy alpine village of feichten,
SoulShredit 2018
⏲ 8 min 36 sec ✓ 16-Oct-2018
Tools, aids and skills that I have used for these projects were:n- Katana, Nuke Studio, Autodesk Maya, Photoshop, Renderman, Arnold and V-ray.nnAUTODESK MAYA AND KATANA (by The Foundry)n- Intermediate to advanced level of 3D modelling in Maya and Katana for use as holdouts to collect CG objects' shadow and reflection from 3D scenes that match to the live action plate.n- Basic level of LookDev in Katana.n- Shading in Renderman, V-ray or Arnold in Maya or Katana.n- Lighting and/or relighting scene
Demo Reel Lighting 2020
⏲ 1 min 33 sec ✓ 18-Jul-2019
Welcome! This is a resume of my work, employee, freelance and as SDUDIOS director. It's work from 2010 to 2016, I hope you enjoy it. This is what I love to do and is nice to share it, thank you for watching.nnBreakdown:n
Demo Reel
⏲ 89 sec ✓ 02-Apr-2015
I present to you my Final Project from Vancouver Film School (VFS), developed in the 3D Animation & Visual Effects Program.nRoad to Wasteland is my Modeling and Texturing Reel about an abandoned Gas Station in the middle of nowhere. Everything that was touched by man and nature, with time has become old, worn out and damaged.nThat's what I tried to capture in this 6 months project, from the beginning of pre-production to post-production, and been the first class in VFS to use Pixar's RenderM
Road To Wasteland
⏲ 89 sec ✓ 10-Sep-2014
WWW.RYANWONG3D.COMnnShot Break Down:nSHOT 1nUltimate Armored Car: The Presidential Beast (Discovery Channel):Beast ChassisnChassis, Rims, Tires, Kevlar Tires, Bulletproof Tire, Windows, Modeling, Textures, AE passes, RenderingnnSHOT 2nOff Limits (Travel Channel) S02E09:Bobsled RacingnAll Aspects, Concept, Camera, Modeling, Texturing, Lighting, Environment, Rendering, Animation, CompositingnnSHOT 3nOff Limits (Travel Channel)S02E10: Demolishing a BridgenAll Aspects, Concept, Camera, Modelin
Ryan Wong - Demo Reel 2012
⏲ 1 min 6 sec ✓ 14-Aug-2012
Produktsimulation für eine interne Firmen-Präsentation. nVeranschaulicht werden soll die neue 9-stufige Flammenregulierung der Neff Gaskochfelder.nEine reale Gas-Flamme wird in eine CGI Umgebung composed.nnDer Clip besteht aus einer in Maya gestalteten und animierten Küchenumgebung und real gefilmten Gasflammen. nDas Composing der beiden Elemente erfolgte in Nuke.nnnhttp://www.artwork-ers.comnhttp://www.foag.de
Neff Flame Select 3D-CGI und Realdreh
⏲ 52 sec ✓ 22-Jul-2016
Project: Gas StationnMy Work: Modeling, Texturing, Shading, Lighting ,Rendering nSoftware used: AutoDesk Maya, The Foundry Mari, Redshift
GAS STATION
⏲ 31 sec ✓ 28-Mar-2017
360º view of a conceptual gask mask i'm working in.nModelled in BlendernRendered in Maya using mentalRay.
Gas Mask
⏲ 15 sec ✓ 10-Feb-2010
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