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A ‘vile’ poison pen letter that called for a charity shop to ‘shutter’ has helped boost the store’s trade - after it was posted on social media.<br/><br/>The nasty note penned to Kreate, a homeware store that gives work experience to adults with learning disabilities, said it was 'not welcome' and would likely 'fail'.<br/><br/>But when the manager Ruth Denton shared the handwritten message on Facebook, hundreds of well-wishers voiced their support for the store in Sheffield, South Yorks.<br/><br/>And she now says they’ve had people from as far away as America making plans to visit - while adding that the letter had helped put the shop “on the map”.<br/>
⏲ 0:59 👁 535K
Manchester United manager Erik ten Hag has made mistakes at the start of the season – but the Glazers haven't exactly helped matters at Old Trafford.
⏲ 8:1 👁 10.7M
What did you think of Dynamite? Let us know in the comments!<br/>10 Best Finishers | Tables, Lists & Chairshttps://www.youtube.com/watch?v=MjXy1pLgq9g<br/>More wrestling news on https://wrestletalk.com/<br/>Unlock the secrets to working in professional wrestling, sign up to https://www.wrestlingmasterclass.com/<br/>0:00 - Coming up...<br/>0:19 - Big WWE Return Leaked <br/>1:32 - Cody Rhodes Heel Turn?<br/>2:15 - WrestleMania Not In US? <br/>2:56 - Top WWE Executive Quitting Update<br/>3:40 - AEW Dynamite Review<br/>Big WWE Return Leaked? Cody Rhodes On Heel Turn, AEW Dynamite Review | WrestleTalk<br/>#WWE #CodyRhodes #AEW<br/><br/>Subscribe to WrestleTalk Podcasts https://bit.ly/3pEAEIu<br/>Subscribe to partsFUNknown for lists, fantasy booking & morehttps://bit.ly/32JJsCv<br/>Subscribe to NoRollsBarredhttps://www.youtube.com/channel/UC5UQPZe-8v4_UP1uxi4Mv6A<br/>Subscribe to WrestleTalkhttps://bit.ly/3gKdNK3<br/>SUBSCRIBE TO THEM ALL! Make sure to enable ALL push notifications!<br/><br/>Watch the latest wrestling news: https://shorturl.at/pAIV3<br/>Buy WrestleTalk Merch here! https://wrestleshop.com/ <br/><br/>Follow WrestleTalk:<br/>Twitter: https://twitter.com/_WrestleTalk<br/>Facebook: https://www.facebook.com/WrestleTalk.Official<br/>Patreon: https://goo.gl/2yuJpo<br/>WrestleTalk Podcast on iTunes: https://goo.gl/7advjX<br/>WrestleTalk Podcast on Spotify: https://spoti.fi/3uKx6HD<br/><br/>About WrestleTalk:<br/>Welcome to the official WrestleTalk YouTube channel! WrestleTalk covers the sport of professional wrestling - including WWE TV shows (both WWE Raw & WWE SmackDown LIVE), PPVs (such as Royal Rumble, WrestleMania & SummerSlam), AEW All Elite Wrestling, Impact Wrestling, ROH, New Japan, and more. Subscribe and enable ALL notifications for the latest wrestling WWE reviews and wrestling news.<br/><br/>Sources used for research:<br/>https://www.wrestlezone.com/news/1469365-report-erick-rowan-signs-new-deal-with-wwe<br/>https://wrestletalk.com/news/cody-rhodes-potential-wwe-heel-turn-update/<br/>https://www.cagesideseats.com/2024/5/2/24146770/rumor-roundup-may-2-2024-ronda-rousey-heat-patrick-mahomes-wwe-raw-wrestlemania-41-date-location<br/><br/>Youtube Channel Comments Policy<br/>We appreciate the comments and opinions our viewers provide. Do note that all comments are subject to YouTube auto-moderation and manual moderation review. We encourage opinions and discussion, but harassment, hate speech, bullying and other abusive posts will not be tolerated. Decisions on comment removal are made by the Community Manager. Please email us at support@wrestletalk.com with any questions or concerns.
⏲ 10:6 👁 48.7M
Why Idemili MFB Ex-MD, 2 Others Arraigned With Ex-FCMB Manager Sentenced To 121 Years Imprisonment For Tampering Client's Savings - EFCC ~ OsazuwaAkonedo #121jailterm #Account #Anambra #Bank #EFCC #FCMB #Fraud #Idemili #MFB #Nwachukwu #Onitsha #Placidus #Savings It Is No Longer News That A State High Court In Anambra Has Sentenced The Former Branch Manager Of First City Monument Bank, FCMB, Nwachukwu Placidus To 121 Years Imprisonment For Tampering With A Client's Savings. https://osazuwaakonedo.news/why-idemili-mfb-ex-md-2-others-arraigned-with-ex-fcmb-manager-sentenced-to-121-years-imprisonment-for-tampering-clients-savings-efcc/06/05/2024/ #Issues Published: May 6th, 2024 Reshared: May 6, 2024 5:27 pm
⏲ 6:59 👁 610K
As Everton are safe in the Premier League after, again experiencing a scare across the season of dreaded relegation. A look at the overall job that Sean Dyche has done since he’s joined the toffees, as there’s been vast improvement, at Goodison Park.
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Sabrina Carpenter and Barry Keoghan have made their Met Gala debut, wearing two wildly different looks. The couple arrived at New York City's Metropolitan Museum of Art during the mid-evening, with Keoghan wearing a seemingly Wonka-inspired Burbarry Burberry tuxedo that's, coincidentally, an extremely earthy brown. Some might say… espresso-colored? Carpenter, on the other hand, wore a gown with a black bodice and a train that resembled the sky and the clouds. They snapped a pic together at the top of the Met stairs, with Keoghan's hand resting on Carpenter's waist.<br/><br/><br/>Director: Nina Ljeti<br/>Director of Photography: Andrew Maso<br/>Editors: Michael Suyeda, Lydia Bowden<br/>Producer: Gigi Chavarria<br/>Producer, On Set: Jeff Kornberg<br/>Associate Producer: Haley Chang<br/>Assistant Camera: Jack Kelly<br/>Audio: Nicole Maupin<br/>Production Assistant: Noah Bierbrier<br/>CondéFuture Intern: Annika Melwani<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editors: Erica DeLeo, Eduardo Araujo<br/>Post Production Supervisors: Alexa Deutsch, Andrea Farr<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Pierre New York, a Taj Hotel
⏲ 3:25 👁 360K
Last Looks: Stray Kids<br/>Director: Yohan Yoon<br/>Director of Photography: Brandon Yoon<br/>Editor: JY Chun<br/>Senior Producer: Naomi Nishi<br/>Associate Producer:Haley Chang<br/>Camera Operator: Eileen Yoon<br/>Assistant Camera / Camera Operator: Daniel Chang<br/>Audio: Jeff Gaumer, Andrew Kim and Gabe Quiroga<br/>Production Assistants: Soo Oh Bang and Noah Namgoong, Erica Palmieri<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editors: Erica DeLeo, Eduardo Araujo<br/>Post Production Supervisors: Alexa Deutsch, Andrea Farr<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Pierre New York, a Taj Hotel
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Final Fitting: Kim Kardashian<br/>Director: Gabrielle Reich<br/>Director of Photography: Josh Herzog<br/>Editor: Lika Kumoi<br/>Producer: Gab Marie Safa<br/>Producer, On Set: Michelle Bruno<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Claire Halloran<br/>Audio: Brianna Simmons<br/>Production Assistant: Quincy Primus<br/>Assistant Editor: Ben Harowitz<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director, Vogue: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Filmed on Location: The Ritz-Carlton New York, Central Park<br/>Sketch: By Cecilia Carlstedt, Courtesy of Maison Margiela
⏲ 8:14 👁 530K
MatPat, the semi-retired YouTube host of The Game of Theorists, joins WIRED to answer his most searched questions from Google. What are his favorite video games? What's he up to in \
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Matt Pole is joined by Sussex sport guru Steve Bone, and special guest Hastings United manager Chris Agutter, who returned to the Pilot Field for a second spell at the helm in October.<br/>We get Chris’ take on the U’s season so far, and bring you all the latest from the local non-league scene here in Sussex.<br/>
⏲ 37:46 👁 5.2M
Last weekend the Ulster Folk Museum at Cultra, Holywood, held their annual Country Skills Day.<br/>In this video, shot by Farming Life's Darryl Armitage, we get to watch tractor ploughing at the Coshkib Hill Farm.<br/>We also get a chat with the museum’s farm manager Robert Berry. <br/>Other skills on show at the museum that day included harness cleaning and horseshoe throwing at Cruckaclady Farmhouse.<br/>Meanwhile there was rope making at the Meenagarragh Cottier's House and horse/donkey grooming at Drumnahunshin Farm (stable area).<br/>And there was traditional stick making and harness cleaning in the Orange Hall.
⏲ 4:29 👁 2.2M
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 1.3M
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