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When I discovered that the theme was, ‘Bright,’ I initially began to think about the brightness of light, that is very important in cinema, but I also wanted to think about a different interpretation of the word, by considering the signification of someone who is quick-witted or someone cheerful.nUnfortunately the deadline for this video fell into the period, when in France we have our mock exams - so I was unable to spend as much time as I would have liked to, filming the scenes and editi

CASTELLETTA Léo ; Film Exercise For NAPIER

⏲ 1 min 80 sec ✓ 24-Feb-2020

I am not translating al-Sayyab's poetry and his words as much as I am sharing his pain as he saw all this agony in his country. I am also recalling the days he wandered and was lost far from his homeland. This exhibit is inspired by the theme of being lost in exile. Weused to read the poem in our school curriculum and it is still present in my memory. The poem has a clear axis around which all meanings revolve and that is: rain. The word

RAIN SONGBook Art2019 By Mohammed Al Shammarey

⏲ 1 min 88 sec ✓ 01-Jul-2019

Film has a long history and this has included poetry from the earliest stages of its development. Poetry has been introduced as captions, as a spoken word (voice-over / live performance) - and as text running over the flow of moving and static pictures.nnWith Gedankenwelt I developed a piece of sound / music (soundscape is perhaps the most apt description) - working with this I developed a visual poem - or is it a narrative? - using a piece of super 8mm footage I had shot and edited 30 years ago

⏲ 1 min 65 sec ✓ 20-Sep-2015

I’ve lost sense in the consumerism of words. nnHow do I look for it if I don’t know what it is?nnDo you think I am telling you exactly what I am saying, as I speak to you, or am I alluding to something else?nnLet’s do that this is a form - and that this form is a pretext - to unveil the authomatic process of substitution by establishing metaphorical relations that constitute any representation, which is inevitably a selective and abstract interpretation.nnLet it be word that is not name y

⏲ 3 min 61 sec ✓ 11-Jan-2023

तत्र शब्दार्थज्ञानविकल्पैः संकीर्णा सवितर्का समापत्तिः॥४२॥ntatra śabda-artha-jñāna-vikalpaiḥ saṃkīrṇā savitarkā samāpattiḥ II42IInFR Le samadhi dans lequel le son (artha), la signification (jñāna) et les connaissances résultantes (vikalpaih) sont mélangés (saṃkīrṇā) est appelé savitarkā samadhi.nLorsque je prends conscience que l'on mélange le mot, les idées p

I.42 tatra śabda-artha-jñāna-vikalpaiḥ saṃkīrṇā savitarkā samāpattiḥ (15 04 2022)

⏲ 16 min 19 sec ✓ 15-Apr-2020

Artist Talk // WEDESSarah Rowe + Angela Simione // moderated by Alex PriestnApril 14, 2017nnWEDES, opening Friday, April 14, at Darger HQ, will feature work by Sarah Rowe (Omaha, Nebraska) and Angela Simione (New York, New York) and will be on view through June 4.The opening reception will be 6:00 to 9:00 pm, with an artist talk at 6:30 pm, moderated by Alex Priest, Exhibition Manager of the Bemis Center for Contemporary Arts.nnBoth artists are inspired by traditional crafts and the work emb

Artist TalkWEDESSarah Rowe + Angela Simionemoderated by Alex Priest

⏲ 7 min 65 sec ✓ 06-Aug-2017

In a Zoom meeting of the ‘Ramana Maharshi Foundation UK’ on 28th November 2020, the day before Kārttikai Deepam, Michael James discusses two verses, ஸ்ரீ அருணாசல தத்துவம் (Śrī Aruṇācala Tattuvam), ‘The Tattva [Truth, Reality or Signification] of Arunachala’, in which Muruganar recorded an explanation given by Bhagavan, and தீபதர்சன தத்துவம் (Dīpa-Darśaṉa Tattuvam), ‘The Tattva of Seeing Deepam’, composed

Aruṇācala Tattuvam and Dīpa-Darśaṉa Tattuvam: Michael James discusses with Ramana Maharshi Foundation, UK (2020-11-28)

⏲ 19 min 23 sec ✓ 19-Jul-2021

तत्र शब्दार्थज्ञानविकल्पैः संकीर्णा सवितर्का समापत्तिः॥४२॥ntatra śabda-artha-jñāna-vikalpaiḥ saṃkīrṇā savitarkā samāpattiḥ II42IInFR Le samadhi dans lequel le son (artha), la signification (jñāna) et les connaissances résultantes (vikalpaih) sont mélangés (saṃkīrṇā) est appelé Savitarkā samāpattiḥ.nLorsque je prends conscience que l'on mélange le mot, les id

I.42 savitarkā samāpattiḥ et I.43 nirvitarkā samāpattiḥ (11 04 2022)

⏲ 16 min 19 sec ✓ 15-Apr-2020

Movement I:

I Grit My Teeth Against the Glacier

⏲ 2 min 48 sec ✓ 05-Feb-2023

Bible Gateway:nhttps://www.biblegateway.com/passage/?search=Psalm+119%3A161-168&version=AMPnnBible Hub Commentary Psalm 119:64nhttps://biblehub.com/commentaries/psalms/119-64.htmnMacLaren's Expositions - Psalmsn-A STRANGER IN THE EARTH-nPsalm 119:19, Psalm 119:64.nnThere is something very remarkable in the variety-in-monotony of this, the longest of the psalms. Though it be the longest it is in one sense the simplest, inasmuch as there is but one thought in it, beaten out into all manner of

September 2 - Psalm 119:63&64

⏲ 1 min 97 sec ✓ 02-Sep-2018

तत्र शब्दार्थज्ञानविकल्पैः संकीर्णा सवितर्का समापत्तिः॥४२॥ntatra śabda-artha-jñāna-vikalpaiḥ saṃkīrṇā savitarkā samāpattiḥ II42IInFR Le samadhi dans lequel le son (artha), la signification (jñāna) et les connaissances résultantes (vikalpaih) sont mélangés (saṃkīrṇā) est appelé savitarkā samadhi.nLorsque je prends conscience que l'on mélange le mot, les idées p

I.42 - les différents états du Samādhi (15 03 2023)

⏲ 17 min 3 sec ✓ 16-Mar-2023

Bible Gateway:nhttps://www.biblegateway.com/passage/?search=Luke+1 and hence outward beauty, loveliness, something which delights the beholder. Thus Homer, of Ulysses going to the assembly:

Dec. 15 - Luke 1:30-33

⏲ 1 min 42 sec ✓ 15-Dec-2018

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