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Canadian police on Friday (May 3) arrested and charged three Indian men with the murder of Sikh separatist leader Hardeep Singh Nijjar last year and said they were probing whether the men had ties to the Indian government. <br/><br/>WATCH MORE: https://thestartv.com/c/news<br/>SUBSCRIBE: https://cutt.ly/TheStar<br/>LIKE: https://fb.com/TheStarOnline<br/>
⏲ 1:57 👁 10.4M
The Royal Highland Show, produced by Scotland’s agricultural charity, RHASS (Royal Highland & Agricultural Society of Scotland) is, promising an unforgettable event for all attendees in it’s 202nd year.<br/>Highlighting what might be perceived as the more unexpected elements of the show, from mountain biking displays to the interactive and immersive Honey Marquee, show organisers have created a buzz around the 2024 event with the launch its new creative campaign – The Royal Highland Ohh!
⏲ 0:53 👁 4M
Navjot Singh Sidhu shares wife’s health update, reveals she is recovering from 2nd surgery for b-reast cancer.Watch Out <br/> <br/>#NavjotSinghSidhu #NavjotKaurSidhu #Cancer #HealthUpdate<br/><br/>~HT.97~ED.120~PR.266~
⏲ 3:15 👁 1.1M
‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.
⏲ 2:26:7 👁 2.5M
Irish black bees working in a hive owned by Abdul Ahmed of Donagh Bees. Abdul sells natural honey and honey products.
⏲ 0:57 👁 3.4M
If you're not normally a fan of pork chops, then these grilled pork chops with a honey-soy glaze will make you a believer.
⏲ 0:45 👁 5.9M
A CLASSIC 1973 Porsche 914 has been given a “new life” after its owner ditched the fuel tank to go electric. Despite being one of the manufacturer’s least popular models, Mark Bush spent two years converting his Porsche, swapping out its engine and fuel tank for a HPEVS motor and 126v battery.
⏲ 4:40 👁 515K
OMG 2 Movie<br/>OMG 2, a satirical comedy-drama film, is the story of Kanti Sharan Mudgal, a staunch devotee of Lord Shiva, a simple man, a loving father, and a caring husband. One day his son, Vivek, is blamed for immoral conduct and thrown out of school. Upon confrontation, Kanti realizes that his son has been a victim of misinformation and misguidance. Grief-stricken and unable to handle the crisis, Kanti decides to leave the town with his family, until... he has a divine intervention that steers him towards truth. Kanti then decides to take on everyone responsible by dragging them to court to mandate comprehensive education in schools, in a dramatic courtroom drama.<br/>
⏲ 2:35:2 👁 1.5M
Honey the Goldendoodle loved to steal food so her owner decided to play with her. She dressed her in a pink hoodie and sat behind her, hiding her head. Then she started feeding Honey with her hands but it looked like Honey was feeding herself. The kids in the background broke out laughing at the funny skit.
⏲ 1:24 👁 2M
Gurucharan Singh Missing: गुरुचरण सिंह को गायब हुए आज 8 दिन हो गए हैं, लेकिन अभी तक उनका कुछ पता नहीं चला है। चलिए जानते हैं, आखिर अपने शो तारक मेहता के उल्टा चश्मा के सेट पर किस तरह रहते थे गुरुचरण सिंह। <br/> <br/>Gurucharan Singh Missing: It has been 8 days since Gurucharan Singh went missing, but till now nothing has been found about him. Let us know how Gurcharan Singh lived on the sets of his show Taarak Mehta Ke Ooltah Chashmah. <br/> <br/>#TMKOCSodhi#GurucharanSingh<br/>~PR.115~ED.118~
⏲ 3:27 👁 395K
Ah Jie chooses to ignore his powers of exorcising ghosts but is later forced to choose to use them for greater good, or keep living his carefree life.
⏲ 1:4 👁 405K
Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 755K
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