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_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.jpg "Misdirection. Murderers and magicians thrive on it, and, to some extent, film directors too. Homi Adajania knows his way around misdirection: his debut feature, Being Cyrus (2005), was an eerily involving thriller, its calm conceits and subtle performances building up to a delicious twist. He attempts the same trick all these years later in Murder Mubarak. As before, he gathers a fine ensemble whose florid antics keep us guessing. The only slip-up is that one of the performances — by no means a peripheral one —is alarmingly off-key, drawing more attention to itself than it ideally should.<br/>During a murder investigation, a non-traditional police officer turns a spotlight on an array of suspects. He steps into their world as an outsider, only to find there is so much more than what meets the eye.")
⏲ 2:21:43 👁 1.2M
_chicago-fire-s12e12-under-pressure.jpg "Chicago Fire 12x12 \")
⏲ 0:31 👁 535K
_otd-in-space-may-9-japan-launches-hayabusa-mission-to-asteroid.jpg "On May 9, 2003, the Japan Aerospace Exploration Agency launched the first-ever asteroid sample return mission, Hayabusa. <br/><br/>This was also the first mission to land on an asteroid. Hayabusa would spend about two years chasing down a near-Earth asteroid called 25143 Itokawa. It then landed on the asteroid, scooped up some samples, and returned to Earth in 2010. Hayabusa may have accomplished its mission, but it was also constantly plagued with technical difficulties. The problems started six months after the launch, when a huge solar flare damaged the solar arrays. This reduced the amount of power the solar panels could supply to its ion engines, so it look an extra three months to reach the asteroid. After finally getting there, Hayabusa tried to drop off a tiny robotic lander called MINERVA, but it drifted off into space without even touching the asteroid. Hayabusa itself made two separate landing attempts, both of which were riddled with problems that put the spacecraft into safe mode. But somehow it still managed to bring some asteroid dust back to Earth.")
⏲ 1:9 👁 500K
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.jpg "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
⏲ 2:39:15 👁 1.9M
_irelands-eurovision-entry-shares-how-theyll-make-final-as-country-fails-at-last-four-attempts.jpg "Bambie Thug promised that they will “stand out” following their fellow Irish entrants for the Eurovision Song Contest failing to make the final of the competition in the last four attempts.PA consumer ready")
⏲ 0:48 👁 6.2M
_good-one-124-official-trailer-lily-collias-james-le-gros.jpg "In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested. Selected in both Sundance and Cannes' Directors' Fortnight, Good One is an emotionally expansive work that probes the limits of familial trust, understanding, and ultimately, forgiveness.")
⏲ 2:29 👁 430K
_perfect-match-s2-124-cast-announcement-netflix.jpg "Perfect Match brings together the most famously single stars of Netflix’s unscripted series to a tropical paradise in an attempt to find love. As they compete to form relationships, the most compatible couples will play matchmaker, breaking up other couples and sending them on dates with brand-new singles they’ll invite to the villa. Will they create better matches, or will they create chaos? In this over-the-top journey of strategy and dating hosted by Nick Lachey, only one couple will be crowned the Perfect Match.<br/>")
⏲ 1:18 👁 505K
_handling-the-undead-trailer.jpg "On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in a desperate attempt to get his daughter out of her depression. Handling the Undead is a drama with elements of horror about three families, a story about grief and loss, but also about hope and understanding of what we can’t comprehend or control.<br/><br/>Directed By Thea Hvistendahl<br/>Script By John Ajvide Lindqvist in collaboration with Thea Hvistendahl<br/>Produced By Kristin Emblem & Guri Neby<br/>Starring Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquis, Bente Børsum, Bahar Pars, Inesa Dauksta")
⏲ 2:21 👁 1.6M
_owner-tests-cat39s-goalie-skills.jpg "Mimmo the black cat's goal keeping skills were put to the test. His owner threw a ball into the doorway and Mimmo did his best to catch their throws, receiving a rating for every amusing attempt.")
⏲ 0:35 👁 2.4M
_39too-good-not-to-share39-39paint-your-partner-challenge39-turns-into-a-roast-battle.jpg "Jessica and her partner, Sam, found themselves breathless from excessive laughter while attempting a popular couples challenge. <br/><br/>\")
⏲ 3:14 👁 300K
_inspection-takes-place-at-the-lord-hill-column-after-falling-masonry.jpg "Shrewsbury's Lord Hill Column was finally able to have an inspection after a failed attempt due to wind previously. Bits have been falling off the column.")
⏲ 0:52 👁 280K
_handling-the-undead-trailer.jpg "On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in a desperate attempt to get his daughter out of her depression. Handling the Undead is a drama with elements of horror about three families, a story about grief and loss, but also about hope and understanding of what we can’t comprehend or control.<br/><br/>Directed By Thea Hvistendahl<br/>Script By John Ajvide Lindqvist in collaboration with Thea Hvistendahl<br/>Produced By Kristin Emblem & Guri Neby<br/>Starring Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquis, Bente Børsum, Bahar Pars, Inesa Dauksta")
⏲ 2:21 👁 275K
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_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.webp "Misdirection. Murderers and magicians thrive on it, and, to some extent, film directors too. Homi Adajania knows his way around misdirection: his debut feature, Being Cyrus (2005), was an eerily involving thriller, its calm conceits and subtle performances building up to a delicious twist. He attempts the same trick all these years later in Murder Mubarak. As before, he gathers a fine ensemble whose florid antics keep us guessing. The only slip-up is that one of the performances — by no means a peripheral one —is alarmingly off-key, drawing more attention to itself than it ideally should.<br/>During a murder investigation, a non-traditional police officer turns a spotlight on an array of suspects. He steps into their world as an outsider, only to find there is so much more than what meets the eye.")
_chicago-fire-s12e12-under-pressure.webp "Chicago Fire 12x12 \")
_otd-in-space-may-9-japan-launches-hayabusa-mission-to-asteroid.webp "On May 9, 2003, the Japan Aerospace Exploration Agency launched the first-ever asteroid sample return mission, Hayabusa. <br/><br/>This was also the first mission to land on an asteroid. Hayabusa would spend about two years chasing down a near-Earth asteroid called 25143 Itokawa. It then landed on the asteroid, scooped up some samples, and returned to Earth in 2010. Hayabusa may have accomplished its mission, but it was also constantly plagued with technical difficulties. The problems started six months after the launch, when a huge solar flare damaged the solar arrays. This reduced the amount of power the solar panels could supply to its ion engines, so it look an extra three months to reach the asteroid. After finally getting there, Hayabusa tried to drop off a tiny robotic lander called MINERVA, but it drifted off into space without even touching the asteroid. Hayabusa itself made two separate landing attempts, both of which were riddled with problems that put the spacecraft into safe mode. But somehow it still managed to bring some asteroid dust back to Earth.")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
_irelands-eurovision-entry-shares-how-theyll-make-final-as-country-fails-at-last-four-attempts.webp "Bambie Thug promised that they will “stand out” following their fellow Irish entrants for the Eurovision Song Contest failing to make the final of the competition in the last four attempts.PA consumer ready")
_good-one-124-official-trailer-lily-collias-james-le-gros.webp "In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested. Selected in both Sundance and Cannes' Directors' Fortnight, Good One is an emotionally expansive work that probes the limits of familial trust, understanding, and ultimately, forgiveness.")
_perfect-match-s2-124-cast-announcement-netflix.webp "Perfect Match brings together the most famously single stars of Netflix’s unscripted series to a tropical paradise in an attempt to find love. As they compete to form relationships, the most compatible couples will play matchmaker, breaking up other couples and sending them on dates with brand-new singles they’ll invite to the villa. Will they create better matches, or will they create chaos? In this over-the-top journey of strategy and dating hosted by Nick Lachey, only one couple will be crowned the Perfect Match.<br/>")
_handling-the-undead-trailer.webp "On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in a desperate attempt to get his daughter out of her depression. Handling the Undead is a drama with elements of horror about three families, a story about grief and loss, but also about hope and understanding of what we can’t comprehend or control.<br/><br/>Directed By Thea Hvistendahl<br/>Script By John Ajvide Lindqvist in collaboration with Thea Hvistendahl<br/>Produced By Kristin Emblem & Guri Neby<br/>Starring Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquis, Bente Børsum, Bahar Pars, Inesa Dauksta")
_owner-tests-cat39s-goalie-skills.webp "Mimmo the black cat's goal keeping skills were put to the test. His owner threw a ball into the doorway and Mimmo did his best to catch their throws, receiving a rating for every amusing attempt.")
_39too-good-not-to-share39-39paint-your-partner-challenge39-turns-into-a-roast-battle.webp "Jessica and her partner, Sam, found themselves breathless from excessive laughter while attempting a popular couples challenge. <br/><br/>\")
_inspection-takes-place-at-the-lord-hill-column-after-falling-masonry.webp "Shrewsbury's Lord Hill Column was finally able to have an inspection after a failed attempt due to wind previously. Bits have been falling off the column.")
_handling-the-undead-trailer.webp "On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in a desperate attempt to get his daughter out of her depression. Handling the Undead is a drama with elements of horror about three families, a story about grief and loss, but also about hope and understanding of what we can’t comprehend or control.<br/><br/>Directed By Thea Hvistendahl<br/>Script By John Ajvide Lindqvist in collaboration with Thea Hvistendahl<br/>Produced By Kristin Emblem & Guri Neby<br/>Starring Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquis, Bente Børsum, Bahar Pars, Inesa Dauksta")
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