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Karnivool | B-F#-B-G-B-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Basic Introduction to 7 String Guitar
⏲ 10 minutes 41 seconds 👁 131K
Try this tuning on 7 string guitar!
⏲ 1 minute 👁 1.4K
All Perfect Fifths | A-E-B-F#-C#-G# | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
If SEVEN NATION ARMY was Delta Blues....WHITE STRIPES Slide Guitar Cover
⏲ 4 minutes 53 seconds 👁 1.5M
Perfect Guitar Tuner (7 String A# Bb Standard = A# D# G# C# F# A# D#)
⏲ 1 minute 30 seconds 👁 20.2K
Square-Neck Dobro | G-B-D-G-B-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Mastering 7 String Guitar Tuning to Unleash Brutal Metal Riffs!
⏲ 9 minutes 30 seconds 👁 18.2K
José González | D-A-D-F#-B-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Open G (‘Taro Patch’) | D-G-D-G-B-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
Albert Collins Fm | F-C-F-Ab-C-F | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Oud (Arabic) | E-A-Db-Gb-B-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
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_karnivool-124-b-f-b-g-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/karnivool/ | “A fascinating blend of Standard and ‘Drop D (-3)‘, closely associated with Australian prog-rockers Karnivool. According to its creator, longtime lead guitarist Drew Goddard, “I was just messing around with low drop tunings while not paying any attention to the high string. I liked the sequence of natural harmonics you could make…”. Three B notes are evenly separated by three unique tones (E, F#, G) – a curious harmonic")
_basic-introduction-to-7-string-guitar.webp "Craven")
_try-this-tuning-on-7-string-guitar.webp "Eryk Lange")
_all-perfect-fifths-124-a-e-b-f-c-g-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-fifths/ | “In many ways, tuning to a cycle of perfect 5ths is a very logical approach. After all, much of the modern world’s music is constructed via stacks of 5ths – an interval which enjoys natural prominence as the first non-root overtone in the harmonic series (overtone #3 = 1902 cents above the fundamental, a.k.a. a ‘tritave’). Also, mini-stacks of 5ths (i.e. runs of ‘7/7’ intervals) are among the most common tuning patterns")
_if-seven-nation-army-was-delta-blues-white-stripes-slide-guitar-cover.webp "Justin Johnson")
_perfect-guitar-tuner-7-string-a-bb-standard-a-d-g-c-f-a-d.webp "187Guitarplayer")
_square-neck-dobro-124-g-b-d-g-b-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/dobro/ | “Dobros, resonators, banjos, and 7-string ‘Russian guitars’ often take ‘repeated’ open G tunings – such as ‘looping’ a G-B-D maj triad sequence throughout all the strings in turn. Setting up your guitar this way narrows the open-string range to 19 semitones (5 fewer than Standard) – but the cycling regularity simplifies the fretboard’s harmonic geometry. Known as ‘Square-Neck Dobro’ amongst North American ‘resona")
_mastering-7-string-guitar-tuning-to-unleash-brutal-metal-riffs.webp "Ryan-DXP")
_jos-gonzlez-124-d-a-d-f-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/jose-gonzalez/ | “A blend of ‘Open D + Standard‘ (or ‘Drop D + Lute‘) used by Swedish singer-songwriter José González and others. The lowest four strings provide a solid, stable Dmaj voicing (1-5-1-3), while the high-end pair add ambiguity and intrigue (maj 6th & 2nd) – forming a wide-spread D6/9. Great for ‘vertical’ voicings and progressions (i.e. moving shapes ‘up-and-down’ the neck, rather than across different string")
_open-g-taro-patch-124-d-g-d-g-b-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-g/ | “Resembles a Standard-tuned ‘0-0-2-2-2-0’ Amaj shape in terms of interval structure. Gives a more ambiguous resonance than the other ‘main’ maj-chord tuning – Open D – as its major triad is arranged in ‘inverted’ fashion, with the 5th (D) in the bass rather than the G root (which is on 5str). This strengthens its potential for playing alternating-thumb basslines and upward-resolving low melodies. Open G fully deserves i")
_albert-collins-fm-124-f-c-f-ab-c-f-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/albert-collins/ | “Essentially ‘Open Dm raised by 3 semitones’ – and therefore follows the interval pattern of a Standard-tuned ‘0-2-2-0-0-0’ Em chord shape (or, more precisely, a ‘1-3-3-1-1-1’ Fm barre). Categorised as a ‘cross-note’ tuning, as you can easily ‘cross over’ from minor to major with the one-finger shape ‘0-0-0-1-0-0’ (whereas in Open Dmaj, is the inverse maj/min flip a little less straightforward). Associ")
_oud-arabic-124-e-a-db-gb-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/arabic-oud/ | “The Arabic oud (fretless lute) is slightly larger than its Turkish cousin, and consequently takes deeper tunings too. This layout transposes a common Arabic tuning, popular in Syria and the surrounding region (…to jam with the original depth, move everything down 4 semitones: C-F-A-D-G-C). Note the guitar-like circle of fourths (across 4-3-2-1str) – in fact, the whole tuning is just a reshuffling of the guitar’s Standard int")
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