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A tiny chick has hatched from one of four eggs laid by peregrine falcons nesting on the University of Leeds’ Parkinson Tower this week. <br/>This year, the birds of prey have laid four eggs. So far, one chick hatched after a month-long incubation period.<br/>This year’s female falcon is identified as ‘7.H’ by the ring on her leg, through which we know that she hatched in Stoke-on-Trent six years ago, while the male – known as a tiercel - is unfortunately not ringed. <br/>Michael Howroyd, sustainability projects officer and biodiversity programme lead at The University of Leeds, said: “It’s wonderful to see the safe arrival of a peregrine chick here at Leeds today. The University is continually working to shape and support biodiversity on campus and it is great to see that we are a valuable urban location for wildlife to thrive.”

Peregrine Falcon chick hatches at the University of Leeds' Parkinson Tower

⏲ 3:42 👁 560K

Quotes

Ancient Philosophers' Life Lessons People Wished They Knew Sooner

⏲

The Roommates

Alpha Male Strategies Talks Biggest Lesson About Women, Red Pill Debate, Building Empires + More

⏲ 1 hour 44 minutes 46 seconds 👁 57.9K

Gassed Up is a 2023 British film directed by George Amponsah in his feature film debut, and starring Stephen Odubola. It is co-written by Archie Maddocks with Taz Skylar, who also appears in the film. The film premiered at the 2023 BFI London Film Festival.

Gassed Up (2023)

⏲ 1:42:29 👁 295K

Only Chads

The masculine paradigm : How to build Confidence

⏲ 5 minutes 46 seconds 👁 4

PsycHacks

Dominance is PSYCHOLOGICAL not PHYSICAL: an important message for men

⏲ 4 minutes 24 seconds 👁 98.1K

The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib

Krishna Vrinda Vihari _ Full Movie _ Romantic Love Story _ Naga Shaurya, Shirley Setia

⏲ 2:18:48 👁 145K

TEDx Talks

Women are Not Small Men: a paradigm shift in the science of nutrition | Stacy Sims | TEDxTauranga

⏲ 13 minutes 46 seconds 👁 217K

Paradigm Studios

Rich Man Bullies The Wrong Poor Man

⏲ 9 minutes 10 seconds 👁 53.9K

Sydney woman Mia Findlay has delivered a powerful monologue on the injustice of male violence against women at a What Were You Wearing rally on April 27.

'Fed up': powerful monologue sums up Australia's gender-based violence crisis

⏲ 3:13 👁 220K

Big Think

Male inequality, explained by an expert | Richard Reeves

⏲ 15 minutes 7 seconds 👁 2.8M

Russell Newton - Audiobook u0026 eLearning Specialist

The Dominant Male Paradigm - How to Talk to Women Audiobook Spotlight by Ray Asher

⏲ 12 minutes 21 seconds 👁 49

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