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watchingthegreengrassgrowgrassgreengrassduck309
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_red-light-rio-124-92.webp "Essa ė quinta parte de uma entrevista rara com a Graça, presidente da AMOCAVIM e ex-prostituta na Vila Mimosa, sobre orgulho (")
_the-olympics-are-a-mess-3.webp "watchingthegreengrassgrowgrassgreengrassduck309")
_the-olympics-are-a-mess-4.webp "watchingthegreengrassgrowgrassgreengrassduck309")
_mike-horovitz-poetry-reading-at-blythswood-square-1973-part-1.webp "DESCRIPTION TE2/1973/108nPoetry reading. Begins frozen on an image accompanied by tracking lines: a man in a jumper, manuscript in hand, turning his back to an audience. There is a warp in sound at the 11 sec mark that reveals the English man (Horovitz) is speaking and setting up his space. He has wavy brown hair, a moustache, beard, button-down jumper and eye glasses. Horovitz places a water jug onto the right of an L-shaped platform, moves a small, white round table to the front near where he")
_the-olympics-are-a-mess-2.webp "quak")
_paul-owens-9-9-creative-leadership-of-opening-ceremony.webp "I think that one of the problems we encounter regulary when we work in cultural and creative sector is that there is far too narrow conseption of culture and creativity. And this is I think that my experiences that the world is always much further ahead of the funders and the bureaucracies. nnAnd I think that there is a limit how much time you can spend defining and analysing and sort of trying to put everything into a system, into a formula. Because in the end when you look what is going on out")
_20-funniest-olympic-fails.webp "Wave of Trend")
_1904-olympics-was-a-mess.webp "History With E")
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