_shakib-al-hasan-most-funny-videos-ever-124-ban-vs-afghanistan-2023-preview-1.jpg "Shakib AL Hasan Most Funny Videos Ever | Ban Vs Afghanistan 2023 from shakib al hasan shes video songs natok song mpngla porh shraddha kapoor photo Video Screenshot Preview 1")
Gallery_shakib-al-hasan-most-funny-videos-ever-124-ban-vs-afghanistan-2023-preview-3.jpg "Shakib AL Hasan Most Funny Videos Ever | Ban Vs Afghanistan 2023 from shakib al hasan shes video songs natok song mpngla porh shraddha kapoor photo Video Screenshot Preview 3")
Gallery_shakib-al-hasan-most-funny-videos-ever-124-ban-vs-afghanistan-2023-preview-hqdefault.jpg "Shakib AL Hasan Most Funny Videos Ever | Ban Vs Afghanistan 2023 from shakib al hasan shes video songs natok song mpngla porh shraddha kapoor photo Video Screenshot Preview hqdefault")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
Jump To Video Parts
⏲ Duration: 35 seconds
👁 View: 1.7K times
Play Audio:👁 View: 1.7K times
Description:
Dollar Exchange BD
Dollar Exchange BD
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_coke-studio-124-season-14-124-kana-yaari-124-kaifi-khalil-x-eva-b-x-abdul-wahab-bugti.webp "Come join us on this journey of friendship, love, and betrayal #CokeStudio #Season14 #KanaYaari<br/><br/>Listen on Spotify: https://spoti.fi/3o3oPx5<br/><br/><br/>Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Kaifi Khalil<br/>Composed by Kaifi Khalil<br/>Written by Kaifi Khalil, Eva B, Wahab Bugti<br/>Music Arranged & Produced by Abdullah Siddiqui, Xulfi, Arsalan Hasan, Sherry Khattak<br/>Mixed by Xulfi<br/><br/>Artist<br/><br/>Kaifi Khalil- Vocals<br/>Eva B - Vocals<br/>Wahab Bugti - Vocals / Damboora<br/>Ameer Buksh - Dambora<br/>Arsalan Hassan - Keys<br/>Kami Paul - Drums<br/>Mairah Khan - Balalaika<br/>Payam Mashrequi - Synth<br/>Omair Farooq - Synth Bass<br/>Haroon Daniel - Octapad<br/>Veeru Shan - Percussions<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib Khan<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>Sound Squad<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Zyad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/>Talent Management<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/><br/><br/>Think Tank<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>Line Production<br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/><br/><br/><br/><br/><br/>Video Production <br/><br/>Director: Jamal Rahman<br/><br/>Producer: Samiya Ansari<br/><br/>Video Production Company: Monkey Mind Films<br/><br/>Associate Producer: Carol Noronha<br/><br/>Cinematographer: Aamir Mughal<br/><br/>Assistant Directors: Ubaid Aamir Temuri<br/><br/>Art Director: Hashim Ali<br/><br/>Set Designer: Mahina Reki<br/><br/>Set Construction: Nauman Kashif at Art Revolver<br/><br/>Set Team: <br/>Salman Arif<br/>Muhammed Shehzad<br/>Aman Niazi<br/>Muneeb Iftakhar<br/><br/>Wardrobe Designer: Samiya Ansari<br/><br/>Wardrobe Assistant: Jibrael Hassan<br/><br/>Hair & Make-up: Shammal Qureshi at Toni & Guy<br/><br/>Gaffers: Asif Hasan, Fahim at Studio 146<br/><br/>Focus Pullers: Zeeshan Saeed<br/><br/>Camera & DIT: Studio 146<br/><br/>Steadicam Operator: Faraz Alam<br/><br/>Steadicam Assistant: Dilawar Ali Shah<br/><br/>Choreographer<br/>Danny Daniel Davies<br/><br/>Lights: MediaLine<br/><br/>Light Team:<br/>Bilal shah <br/>Ghufran shYkh<br/>Arbaz sabzwari<br/>Umer faiyaz<br/>Shariq ayub<br/>Amir ali<br/>Shan kamran<br/>Akmal khan<br/>Zuabir lodhi<br/>Bilal khan<br/>Saif ali<br/>Tanveer khan<br/>Mehtab mallah<br/><br/>Transport<br/>Saleem Jalal Transport<br/><br/>Post: <br/>Editing: Jamal Rahman<br/>Colorist: Wahab Danka<br/>Cleanups: Post Fusion<br/><br/>Transport<br/>Al Alam Rentals<br/>Bukhari Travels<br/><br/>Catering<br/>Ronaq<br/><br/>Photography: Nadir Firoz Khan<br/><br/>BTS (O Dimension)<br/>Producer(BTS): Moiz Qazi <br/>Associate Producer (BTS): Am")
_take-a-beautiful-decision-last-episode-124-dbl-ceramics-124-shakib-al-hasan-124-umme-ahmed-shishir.webp "DBL Ceramics Limited")
⏲ 21 seconds 👁 91.3K
_supremely-dedicated-girl-effortlessly-out-statues-a-sculpture-at-geri-moulton-children39s-park.webp "Here is a young lady who's fully aware that bagging an Oscar isn't a matter of if but when. <br/><br/>Watch as Holly films her super-dedicated daughter pretending to be a statue while posing with a sculpture of a boy throwing away newspapers. <br/><br/>The youngling is fully committed to the bit and doesn't even blink. <br/><br/>\")
⏲ 0:16 👁 105K
_shakib-al-hasan-amp-shishir-124124-reception-diary.webp "Wedding Diary")
_124-shakib-al-hasan-124-cricket-player-124-bd-celebrity-124-atn-news.webp "ATN News")
⏲ 3 minutes 16 seconds 👁 42.8K
_evidence-8-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 8:<br/>CCTV 7 VIDEO FR0M 17:17 TO 18:39 LOCAL TIME WAS REDUCED IN FRAME DIMENSIONS TO 960x576 PIXELS<br/>The deliberate downscaling of CCTV 7 footage from 1920x1080 pixels to 960x576 pixels and the reduction of the frame rate from 25 frames per second to 10 frames per second, executed by forensic experts Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, had profound forensic implications. This manipulation severely compromised the quality of the footage during a critical time frame, from 17:17 to 18:39 local time, which encompassed key moments necessary for a thorough forensic analysis of the events leading to Mirna Salihin’s death on January 6, 2016.<br/><br/>At 17:19:30 local time, Mirna Salihin was purportedly seen not taking a straw from the table and instead directly sliding the glass and drinking from the straw already in the glass. The original high-resolution footage would have allowed a detailed observation of her hand movements and the position of the straw, which was crucial to establish whether Jessica Wongso had placed the straw in the glass earlier, as alleged. The reduced resolution obscured these subtle but critical details, making it challenging for forensic analysts to accurately determine the sequence of actions.<br/><br/>Furthermore, at 17:19:34 local time, the video showed Hani Juwita Boon bringing the coffee cup close to her mouth and only smelling it. However, her testimony as a witness indicated that she had consumed a small amount of coffee. This discrepancy could have been better analyzed with high-resolution footage, which would have provided clearer visual evidence of her actions. The downscaled video compromised the ability to distinguish whether she merely smelled the coffee or actually sipped it, which is vital for understanding the sequence of events and assessing the credibility of her testimony.<br/><br/>Dr. Adiyanto from Abdi Waluyo Hospital testified that Hani Juwita Boon admitted to him that she drank the coffee and feared dying like Mirna Salihin. This statement is crucial, as it directly contradicts the visual evidence provided by the manipulated footage. The reduced frame rate made it difficult to observe the precise moment and manner in which Hani interacted with the coffee cup, creating a gap in the forensic narrative that should have been clear and unambiguous.<br/><br/>After drinking the coffee, Mirna Salihin reportedly waved her hand in front of her mouth multiple times, an action that was captured at a reduced frame rate of 10 fps. The original 25 fps would have provided smoother and more continuous visual data, allowing for an accurate analysis of her physical reactions. The reduced frame rate resulted in choppy footage, making it challenging to discern the nuances of her gestures and physiological responses, which are critical in determining her condition and the onset of symptoms.<br/><br/>The forensic impact of downscaling the CCTV 7 footage was significant, especially concerning the ability to accurately analyze key visual details")
⏲ 9:15 ✓ 14-May-2024
_coke-studio-124-season-14-124-kana-yaari-124-kaifi-khalil-x-eva-b-x-abdul-wahab-bugti.jpg)
_take-a-beautiful-decision-last-episode-124-dbl-ceramics-124-shakib-al-hasan-124-umme-ahmed-shishir.jpg)
_supremely-dedicated-girl-effortlessly-out-statues-a-sculpture-at-geri-moulton-children39s-park.jpg)
_shakib-al-hasan-amp-shishir-124124-reception-diary.jpg)
_124-shakib-al-hasan-124-cricket-player-124-bd-celebrity-124-atn-news.jpg)
_evidence-8-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.jpg)
![[+]](/images/menu.gif){kind=small}